Word: angela
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DEAR WORLD. The only saving grace about this musical adaptation of Jean Giraudoux's The Madwoman of Chaillot is a gallant performance by Angela Lansbury...
DEAR WORLD. Plays converted into musicals have a high disaster ratio, and this one, from Jean Giraudoux's The Madwoman of Chaillot, is no exception. Angela Lansbury, looking like a ruefully unkempt Colette, is excellent as the madwoman, but the Jerry Herman score is disappointing and Joe Layton's choreography is mediocre...
DEAR WORLD. Plays converted into musicals have a high disaster ratio, and this one, from Jean Giraudoux's The Mad woman of Chaillot, is no exception to the rule. Angela Lansbury, looking like a ruefully unkempt Colette, is excellent as the madwoman, but the Jerry Herman score is disappointing and Joe Layton's choreography is mediocre...
...Madwoman, Giraudoux conceived of a vicious, filthy-rich, top-hatted capitalist cartel that discovers oil under a bistro called the Chez François and is prepared to desecrate all of Paris to pan for the black gold. But the eccentric owner of the cafe, the Countess Aurelia (Angela Lansbury), thwarts these evil malefactors of great wealth. With the aid of two loony cronies and a sewerman (Milo O'Shea), she herds them through a trap door under the cafe into a kind of eternal hell of sewage...
Time has not only blunted the point but reversed it. While capitalism now seems surprisingly benign, the individual who decides to exterminate other people, under whatever pretext, has become distinctly ominous. As a one-madwoman salvage operation, Angela Lansbury saves her reputation if not the show. Looking like a ruefully unkempt Colette, she croons, chortles, and cavorts about The stage with a certain raffish gallantry. The Jerry Herman score is zero, and Choreographer Joe Layton, who once staged dances of tepid promise, has now ascended to scalding mediocrity...