Word: angela
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...hottest attraction turns out to be a greeting-card salesman named Harry (Glenn Ford). Evie looks at him and feels reckless. He looks at her and decides that she is nothing to write home about. Besides, he already has more than one postmistress. Engaged to a widow in Altoona (Angela Lansbury), he has just ended an affair with Artist Patricia Barry, and is warmly entreating the blonde (Barbara Nichols) at the hotel newsstand to be his "secret pal" for the night. The blonde agrees...
Married. George Pember Darwin, 36, researcher for a London electronics company, great-grandson of Evolutionist Charles Darwin; and Angela Huxley, 24, niece of the late Author Aldous and great-granddaughter of Biologist Thomas Huxley, foremost champion of Darwin's The Origin of Species; in an Anglican ceremony; in London...
Loosely shaped like a musical sans songs, and almost sans plot, the film plunges headlong into the life and loves of Angela (Anna Karina), a Parisian stripteaser who shares her room at the top with a bicycle racer (Jean-Claude Brialy). Their relationship has obviously been built on the flimsiest of foundations-too many Hollywood double features. One day Angela announces: "I think I'm alive." Suddenly she wants to have a baby, but the bicycle rider does not share her idée fixe...
During one lively, choreographed quarrel, Godard abruptly freezes the frames to announce in titles: "It is because they love each other that things will go wrong for Emile and Angela." Later, Brialy soliloquizes: "I don't know whether this is a comedy or a tragedy-but it is a masterpiece." It isn't, really. But for fans of offbeat films, it will seem a pungently detailed and disarmingly original effort by a man who makes his joy in his work contagious...
...dollops of sentiment and a formula ending flaw the otherwise engaging and perceptive script by Nora and Nunnally Johnson. Though droll performances are rung up by Prentiss, Sellers and Angela Lansbury (as Tippy's pampered, promiscuous mother), all are up against a force of nature as potent as Disneyland. Director George Roy Hill is obviously happy to let the camera ogle while his half-pint scene stealers do their stuff. And why not? It's grand larceny...