Word: angele
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Dates: during 1960-1969
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...audiences tend to dwell on peripheral ambiguities), the structural integrity becomes increasingly clear on repeated viewings (well worthwhile) and ends up simpler than many of Bunuel's other films; Bunuel's insight and humanity far transcends the realm of social allegory for which he is duly famous (Viridiana, Exterminating Angel). But this simplicity is sensed rather than understood, and Severine's final fantasy (romantic rather than masochistic) is a wholly satisfying resolution without lending itself to easy interpretation. Belle de Jour may ultimately say all things to all men, but it surely is a masterpiece of personal cinema...
...perhaps simplistic to speak of Preminger as a determinist, yet running through his work are characters controlled by social and economic pressures, most distinctly by their immediate surroundings. In the early films (Fallen Angel, Angel Face), money, sexual abberation, and class distinction had much to do with the ultimate failure of Preminger's struggling protagonists. But increasingly, external dramatic pressures play a less important part--the determining factor becoming instead Preminger's own camera treatment of space, his cross-cutting techniques, his ultimate vision. No one seeing Skidoo can deny that the Mafia threat (central to the plot) is secondary...
SYMPHONY NO. 6, SIR JOHN BARBIROLLI AND THE NEW PHILHARMONIA ORCHESTRA (Angel, two LPs). The tragic beauty and power of this score can scarcely be matched anywhere. "It is the sum of all the suffering I have been compelled to endure at the hands of life," said Mahler. Barbirolli drains every ounce of Angst from the music, and the recording itself is superbly engineered...
...KNABEN WUNDERHORN, ELISABETH SCHWARZKOPF, DIETRICH FISCHER-DIESKAU, GEORGE SZELL CONDUCTING THE LONDON SYMPHONY ORCHESTRA (Angel). Though not a happy composer, Mahler could be light-hearted when he turned to folk poetry. In these twelve songs-drawn from the German folk anthology The Youth's Magic Horn-he conjures up an impish world of humorous saints, sorrowful drummer boys, cuckoos and nightingales. As one would expect from such a line-up of talent, this version abounds with interpretive delights. It does not, however, outclass Angel's previous recording by Janet Baker, Geraint Evans and Conductor Wyn Morris with...
...from the human psyche. So confident is Jekyll in the iron strength of his own virtue that he sincerely believes he can give birth to evil without being corrupted by it. Alas, the virtuous Jekyll is no match for the satanic Hyde: once the demon has been released, the angel seeks every excuse to descend himself into the depths of depravity...