Word: angeles
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Dates: during 1950-1959
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...potter, taking on as private secretary his illegitimate son, Colby Simpkins-a young man who yearns to be an organist. If Sir Claude's wife, Lady Elizabeth, should take a liking to Colby, Sir Claude means to adopt him. Already part of the household are Lucasta Angel, his illegitimate daughter, and B. (for Barnabas) Kaghan, a foundling whom Lucasta plans to marry. Lady Elizabeth too, in her youth, had an illegitimate son whom she lost all trace of; and being a woman with a flutter-brained, highhanded contempt for facts, she decides that Colby...
Puccini: Tosco (Maria Callas, Giuseppe Di Stefano, Tito Gobbi; Chorus and Orchestra of La Scala conducted by Victor de Sabata; Angel, 2 LPs). The seventh complete version of Puccini's old pulse-bumper, and one of the best. The name part is sung fervently and in high style by Brooklyn-born Soprano Callas...
Lehrer entertains in night clubs and private parties and performed at the Blue Angel during the past Christmas vacation...
...ought to be religious." That limits the field to those few modern artists who feel the need to express their religious faith. On this and the following page are recent works by two such skilled and devout moderns. The mosaic Station of the Cross (above] was done for Mt. Angel Abbey at St. Benedict, Ore. by a 55-year-old Californian named Louisa Jenkins. The stained-glass Sermon from the Boat (overleaf) is a replica detail of a window in St. Ann's Chapel of Stanford University at Palo Alto, Calif., designed by School-of-Paris Painter Andre Girard...
...Confidential Clerk Eliot again presents what looks like a group of very worldly people. In the first act he encourages us to assimilate them to familiar theatrical types. Lucasta Angel is a rather spoiled and forward young woman. B. Kaghan is a flashy sort of practical joker who is amusingly disrespectful concerning Lady Elizabeth, the absent-minded dowager who dabbles in spiritualism. After the first act there was much disappointed all in the lobby about the predictable lines, tired characterizations, and old fashioned exposition. In the second act our conceptions of these characters are wrenched out of shape. In response...