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Word: angeles (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Gleaming Light with Larry Adams went to the lead with Hydrologist and Angel Cordero, Jr. a half-length behind on the outside. Three lengths behind that pair raced Distray and John L. Rotz on the rail with Arts And Letters and Braulio Baeza a neck away on the outside. Dike and Jorge Velasquez trailed these by five lengths, as always. After six furlongs and with a half-mile to go Arts And Letters and Dike began stalking the leaders...

Author: By The Scientist, | Title: Horse of the Year | 8/19/1969 | See Source »

...years he multiplied his family firm's prestige and fortune. He was one of the first to see the enormous potential of aviation, helped bankroll the beginnings of American, Pan American and Trans World Airlines. He was a friend to retail merchandising when other bankers scoffed, was financial angel to many of today's largest firms. "I bet on people more than balance sheets," Lehman once told Litton Chairman Tex Thornton, who recalls: "I blinked my eyes a couple of times when I heard that...

Author: /time Magazine | Title: Milestones: Aug. 15, 1969 | 8/15/1969 | See Source »

...despite his name, Sternberg, born in New York, had directed his nine previous films in America and after 1930 made thirteen more with which Blue Angel is completely consistent. It is true that Blue Angel is his most German work; so Scarlet Empress is similarly his most Russian and Morocco his most Arabic...

Author: By Mike Prokosch, AT THE ORSON WELLES A 3 THROUGH 5 | Title: The Blue Angel | 8/1/1969 | See Source »

Thus the German myth's appearance in Blue Angel makes it seem an Expressionist film. But the weight of this material, the subject of the film, should not obscure our view of Sternberg's treatment of that material, for it's his treatment that is crucial to the film's meaning, especially for Jannings and Dietrich...

Author: By Mike Prokosch, AT THE ORSON WELLES A 3 THROUGH 5 | Title: The Blue Angel | 8/1/1969 | See Source »

...themes whose Christian roots are fundamentally opposed to German Expressionism. The world Jannings inhabits in not a set of dark alleys whose monstrous shadows, projections of his own fears, try to destroy him and allow only an existential fight to the finish. The objects and people of The Blue Angel offer Jannings the possibility of continual redemption through his perception of them...

Author: By Mike Prokosch, AT THE ORSON WELLES A 3 THROUGH 5 | Title: The Blue Angel | 8/1/1969 | See Source »

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