Word: angeles
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Dates: during 1960-1969
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...anniversary go unremembered in France. At a round of reunions in Paris, business-suited survivors of the debacle hoisted nostalgic toasts to "the Angel of Dienbienphu," Geneviève de Galard-Terraube, who was the only woman nurse on the battlefield. (Now 39, Geneviève is a retiring Paris housewife and mother of two children, married to a former French paratrooper.) They were poignant get-togethers, for Dienbienphu holds as deep emotional implications for Frenchmen today as Verdun or Waterloo did for earlier generations...
...this regard, James Baldwin is especially perceptive. In the process he is Comforter, Prophet, and the Angel who trumpets in the day of judgment. As Comforter, he counsels the tragic nigger--the no-smiling Uncle Tom transfigured into a saint by wisdom, but still a brooding, sorrowful man-boy with lowered eyes and a silent presence--who, according to Baldwin's humanism, is holy even though defeated. This holiness can only be attained through suffering and endurance. As Prophet, Baldwin warns Negroes that to believe they are niggers is the beginning of their destruction which may not end in Holiness...
...other characters to fit general roles. He works out a set of convenient metaphors to describe each of them, and continually sticks in these formulas to remind the reader of the character's place in the general scheme. Jocelin's ecstasy always burns like a flame, and an angel continually appears behind him to stand for his inspired will. The Master Builder and his wife "revolve around each other." And the urge which entangles the Master Builder in adultery with an innocent townswoman is "the net." This repetition does convey the rigidity of Jocelin's mind. But it is also...
...favor for her nephew. He thinks his vision of the spire is divinely inspired - but Golding insistently suggests that it may just as well be a phallic sublimation of Jocelin's repressed yearnings for the red-haired wife of a cathedral worker. Even the warming presence of an angel who, Jocelin believes, comes to watch over him as he prays is explained away as the effect on his spine of some un speakable organic disease...
Jack Gelber's screenplay provides a loose framework in which the actors develop their roles. What symbolism he introduces is entirely appropriate. For instance, Cowboy dresses all in white, like an angel, and he brings with him Sister Salvation (Barbara Winchester), a little old lady with whom he has allied himself as protection against the police. While the addicts file in for their fixes, she delivers a little sermon, but the salvation she offers is as insubstantial as Cowboy...