Word: angeles
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Dates: during 1960-1969
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...Manhattan's Eighth Street, cooked gourmet meals for him while he wrote, helped add to the slim support he was getting from his mother and from his teaching job at New York University, and above all gave him the sort of encouragement he needed to produce Look Homeward, Angel. Wolfe was an oppressive lover. He was sickly jealous, perhaps fearful that he might be counter-cuckolded by Bernstein, and so boorish that he constantly called her "my Jew" and made such entries in his diary as "Met Jew at 11:00." When he eventually cut himself off from...
...Manhattan's Central Park), sat evening after evening drinking with him at the Chatham Walk, where Wolfe could feel the rumble of his beloved trains from the New York Central tracks beneath Park Avenue, and above all shaped Wolfe's raw, spontaneous, poetic prose into Look Homeward, Angel. In time he became alarmed as Wolfe's great fungus of words threatened to expand beyond control. Once, Perkins asked him to write a brief description of the hero's reaction to his father's death, and Wolfe came back within hours with thousands of words...
Prospero's two servants, Ariel and Caliban, represent his control over the upper elements (air and fire) and the lower elements (earth and water). Ariel being half angel and Caliban half beast, the two constitute the termini of Shakespeare's world of humans. Clayton Corzatte, new to the company, is a model Ariel. He is lithe and clean, with an appositely light and attractive tenor voice (for both speech and song). His nimble and graceful movement, unprecedented on this stage, deserves no less a term than choreography; he performs the notable trick of being delicate and sprightly without ever becoming...
...ever so masterfully ruled England as Elizabeth I. The Elizabethan was agape at the sheer wonder of himself: "What a piece of work is a man! How noble in reason! How infinite in faculty! In form and moving how express and admirable! In action how like an angel! In apprehension how like...
...then. According to a 2nd century work called The Acts of Paul and Thecla, he was "a sturdy little balding, bowlegged man, with meeting eyebrows and a somewhat hooked nose; full of grace; for sometimes he appeared like a man and sometimes he had the face of an angel." Detractors in the Corinthian church called "his bodily presence . . . weak, his speech contemptible," and Paul himself acknowledges that he is "rude in speech, yet not in knowledge." Paul's letters give the best evidence of how he must have preached (the direct quotes attributed to him in Acts were, according...