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Word: angeles (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...entertainment is to watch the test pattern on his new TV set. Unaware of Lola's occupation, Von Bohm takes her on a date to church-such are the idealist's hopes for a spiritually healthy postwar Germany-and falls in love with her. The Blue Angel trajectory is established: Von Bohm must discover, understand, compromise, surrender. Fassbinder has lighted this ordinary nightmare as if every boardroom, bedroom and bathroom were on the top floor of the worst little whorehouse in Bavaria: neon pinks and oranges in the toilets, navy blue seats against a sick-yellow wall, clashing...

Author: /time Magazine | Title: Cinema: Master Without Masterpieces Andres Segovia: 1893-1987 | 9/27/1982 | See Source »

...five years of extortion and knives; bodies grabbed and ransacked; a sour, filthy cell shared for most of a day with a hothead who wouldn't mind killing again. The experience of a given prison is indiscriminate: the car thief endures the same, day by day, as the angel-dust wholesaler and the habitual stomper of schoolchildren...

Author: /time Magazine | Title: What Are Prisons For? | 9/13/1982 | See Source »

...composer has also indulged in one inside joke. As China is debating whether to accept Orchis' loan, the Angel of Bright Future appears to him in a dream, encouraging him to take the money in a siren song of harsh modernity that reaches back stylistically to Rochberg's use of atonality in the '50s. Bright Future (musical "modernism") holds out the promise of artistic redemption. But it proves to be an empty, cruel promise, best rejected...

Author: /time Magazine | Title: Music: In Santa Fe, a Worthy Failure | 8/16/1982 | See Source »

...failure of The Confidence Man does not necessarily mean a corresponding failure of musical idiom. The quality of Rochberg's lyric invention is high, and the fast-moving sequences, such as the minstrel show, are handled with dashing technical assurance. Even the two scenes with the angel, ironic though they are, display a strong command of modern musical materials. Rochberg has issued a challenge in The Confidence Man, to both himself and other composers, a challenge to make modern music speak again in the language it inherited from the 18th and 19th centuries. Whether it can be done persuasively...

Author: /time Magazine | Title: Music: In Santa Fe, a Worthy Failure | 8/16/1982 | See Source »

Ding! A flash of light and a little white angel on your left shoulders asks, "Didn't they just discuss this at the meeting this morning? You wouldn't would...

Author: By Paul M. Barrett, | Title: Looking Out For Harold And His Friends | 8/10/1982 | See Source »

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