Word: angeles
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Dates: during 1990-1999
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...ponytail may be a style for all seasons, but new coiffures are coming up on the outside. Among them: a Hell's Angel look and what Supercuts haircutting chain calls "gangster chic." The first, a greasy down-and-dirty tousle once displayed by actor Mickey Rourke, can be achieved by gel overload or shampoo avoidance. For the gangster look, men can turn for inspiration to the oily Mafia sleekness seen in GoodFellas and the forthcoming Godfather III; actor Andy Garcia is its patron saint...
...Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Angel Ackemyer, James Elsis, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Associate Art Directors); Stefano Arata, Kenneth B. Smith (Assistant Art Directors); Joseph Aslaender, David Drapkin, Victoria Nightingale, Leah M. Purcell, Lisa Sampson, Nomi Silverman, Lisa C. Tremaine, Dennis Wheeler (Designers) Traffic: John P. Dowd (Chief); Eugene Tick, Paul Hilzinger Maps and Charts: Paul J. Pugliese (Chief); Steven D. Hart, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman
...entirely in Minneapolis, mostly on the sound stage of Prince's $10 million music- and film-production facility, Paisley Park, the film looks like a skein of rock videos strung around a badly frayed plot line. It has something to do with Prince's falling in love with an angel. Also something to do with Prince's playing his music his way and with his vanquishing the forces of musical vandalism...
...Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Angel Ackemyer, James Elsis, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Associate Art Directors); Stefano Arata, Kenneth B. Smith (Assistant Art Directors); Joseph Aslaender, David Drapkin, Victoria Nightingale, Leah M. Purcell, Lisa Sampson, Nomi Silverman, Lisa C. Tremaine, Dennis Wheeler (Designers) Traffic: John P. Dowd (Chief); Eugene Tick, Paul Hilzinger Maps and Charts: Paul J. Pugliese (Chief); Steven D. Hart, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman
...with Lynch's Wild at Heart, The Eagle Has Two Heads is stuffed with symbolisn and thick with metaphors. The Queen predicts the events of the play with a deck of fortune-telling cards. Stanislas is also known as Azreal, or "angel of death." And there are fairly explicit allusions to, and indeed, reenactments of, such works as Hamlet. But this self-conscious symbolism need not be over- analyzed; it exists merely to provide texture...