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...neither the sense of childlike innocence nor the wonder of revisiting a durable fable is lost. Stephanie Mills, wistful and staunch as Dorothy, sings like an angel on furlough. Her companions, the Scarecrow (Hinton Battle), the Cowardly Lion (Ted Ross) and the Tin Woodman (Tiger Haynes) are equally winning and bring complete conviction to their roles...

Author: /time Magazine | Title: The Theater: Jumping Jivernacular | 1/20/1975 | See Source »

...Sternberg's The Blue Angel, with Dietrich and Emil Jannings (1930, sound). Friday and Saturday...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 1/16/1975 | See Source »

...between artist and creation, and in her novel Mary Shelley explored the consequences of the creator's inability to accept responsibility for his creation. One only has to see Young Frankenstein with his arms around the monster, affectionately crooning, "This is a good boy...this is a mother's angel," to recognize that Brooks has overturned the greatest stereotype of all by putting on film what everyone has always wanted to happen. He seems to understand those of us who, as children, secretly hated the movie for being terrifying as hell. Like a kind parent, he takes the bogeys away...

Author: By Kathy Holub, | Title: Mel Brooks's Graveyard Smash | 1/13/1975 | See Source »

...long Rutkowski and Robinette harpsichord neatly bundled inside a Chevrolet Sportvan. Between 1964 and 1971, Kipnis made 14 superlative discs for Epic and Columbia-notably a choice LP of short works, The Harmonious Blacksmith, that remains the best single recorded introduction to the instrument and its music. This week Angel, for whom Kipnis has recorded since 1972, releases a two-LP album called The English Harpsichord. Company officials are so pleased with Kipnis that they recently tore up a new two-year contract and rewrote it for five. Says Kipnis: "I like the wildly uneven rhythm of that...

Author: /time Magazine | Title: Music: Prince Igor | 1/13/1975 | See Source »

While Lasky and Little are tangy with comic flavor, Schisgal's shining angel for 1975 is Dustin Hoffman, making his debut as a director. Moving 18 actors with the agility of an Osterizer, Hoffman proves that he is only a laugh-beat away from the comedic ingenuity Of Mike Nichols...

Author: /time Magazine | Title: The Theater: Dipsy Doodle | 1/13/1975 | See Source »

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