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...Bank life. Abu-Assad says the sharply divided opinions pleased him, confirming that he had avoided making a predictable propaganda film. "I did not make what they wanted me to make," he says. Critics are impressed, too. The film, which has been sold in 45 countries, won the Blue Angel award for best European film at the Berlin Film Festival in February - it is a Dutch-German-French production - as well as the festival's Amnesty International film prize and the Berliner Morgenpost readers' prize for best film. It received strong reviews in France, where it opened earlier this month...

Author: /time Magazine | Title: Ordinary People | 10/11/2005 | See Source »

...police. The local governor said police had used "legitimate defense" in the face of a violent assault. Spain's conservative opposition blames Prime Minister José Luis Rodríguez Zapatero, claiming that the "regularization" of some 700,000 illegal immigrants earlier this year encouraged others. Foreign Minister Miguel Angel Moratinos said Rabat had agreed to forcibly repatriate some of the immigrants currently in Melilla. Critics of the new accord say foisting the problem on Morocco is no solution. "They're driving them in buses to the Algerian desert with no water or food," claims Pepe Alonso, a Melilla lawyer...

Author: /time Magazine | Title: Going Down to the Wire | 10/9/2005 | See Source »

Joss Whedon and Neil Gaiman may well be the two most interesting people creating popular culture right now. Whedon is the man behind Buffy the Vampire Slayer and Angel, and he wrote and directed the science fiction film Serenity, which opens Sept. 30th. Gaiman created the instant-classic comic book Sandman, and he's the author of the new novel Anansi Boys, out this month. He has a new movie, Mirrormask, which also opens Sept. 30. They chatted on the phone together-chaperoned by TIME's Lev Grossman-about their work, their fans, their Klingon bodyguards and, of course, Timecop...

Author: /time Magazine | Title: Interview: Neil Gaiman and Joss Whedon | 9/25/2005 | See Source »

...movie, tentatively titled The Last Broadcast. On the stage of the Fitzgerald Theater in St. Paul, Minn., technicians and musicians jostle with actors decked out for such roles as a radio host, a country-music singer, a rope-twirling cowboy, a 1940s-era private eye and the Angel of Death. "O.K.," Altman booms, "let's see what we can do with this ... this mess. I'm just going to sit here and watch." Before the cameras roll, he adds, not entirely jokingly, "Everybody fend for themselves...

Author: /time Magazine | Title: Movies: A Prairie Film Companion | 8/28/2005 | See Source »

...moodier and darker. Not so, says Keillor. "I made it darker, by introducing the conceit of the last show." In the movie, the show has been sold to a conglomerate, whose axman (Tommy Lee Jones) arrives at the end of the broadcast to shut it down. No wonder the Angel of Death (Virginia Madsen) is gliding through the theater's wings...

Author: /time Magazine | Title: Movies: A Prairie Film Companion | 8/28/2005 | See Source »

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