Word: angeli
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From the beginning, the film seemed cursed. "We started shooting in the Gobi Desert," recalls director Ang Lee, dimpled but unsmiling. "That night the crew got lost in the desert until 7 a.m. We finally got going, and after the second shot, a sandstorm came in." Could things get worse? Ask producer Bill Kong. "The Gobi is the hottest, dryest place on earth," he says. "So each morning we lit incense for good luck. Well, we had dreadful luck--it rained sheets, nonstop, ruining our schedule. After a while one of the local people came around and said the gods...
Hong Kong is the cinema that put the artistry in martial arts. Bruce Lee and Jackie Chan turned the spectacle of kung-fu fighting into high-flying ballet. In Crouching Tiger, Hidden Dragon, which makes its U.S. debut at the New York Film Festival on Oct. 9, Ang Lee pays glorious tribute to both Chinese action films and Western-style love stories. The Taiwanese-born director of Sense and Sensibility offers a mature crowd pleaser, with brisk pacing and a lingering melancholy...
...Eureka," a 3-hr, 17-min. "interior road movie" about three survivors of a terrorist attack, earned various critics' prizes for its stark beauty and psychological rigor, but the Japanese film was shut out as well in the main contest. And the strongest entry of the entire Festival, Ang Lee's thrilling action fantasy "Crouching Tiger, Hidden Dragon," was mysteriously shown out of competition, and thus ineligible for the jury's benediction...
...sent the screenplay, which I read first, and then I read the novel. It's interesting, for instance on The Ice Storm [1997], I started reading the novel and it was so different, I could tell that Ang Lee's concept of our story was going to be somewhat austere, and also somewhat a comedy of manners. The book was just so detailed, I actually didn't wind up reading it. But with A Map of the World I just couldn't put it down, it was just so gripping...
...Ang Lee has a reputation for his ability to exploit his character's internal conflicts in any time or place, be it Jane Austen's England in his 1995 release Sense and Sensibility, or the alienated '70s suburbia of 1997's The Ice Storm. Yet his latest project, Ride With the Devil, based on Daniel Woodrell's novel Woe to Live On, reflects the damage too much praise can have on a director. All that distinguishes Ride with the Devil as anything other than a glorified action flick is a splattering of historical nuances and the occasional flirtation with character...