Word: angelically
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Dates: during 1950-1959
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Later, Man. The beatniks were wise enough to rest their case heavily on respectable-but not square-lawyer Matthews, angel of the Gas House. Defending his friends (and his investment, such as it is), he argued that the beatniks were really harmless. "The fundamental rule," said he, "is 'Thou shall not bug [disturb] thy neighbor.' And we have three dirty words: race, creed and color. I'm not going to regulate people's mores . . . not even the winos'." As for the sound of the bongos, Matthews confessed that he was helpless to stop it. "Sure...
Summertime. The first critic to stop being constructive after 1905 was a longtime guardian angel-the college professor who once took a proprietary interest in high school standards. When professors took a good look at the proletarianized high school, they left it to what they considered a lowbrow technician-the education professor. And to figure out how to run the schools, the "educationists" seized upon Philosopher Dewey's innocent theory that children learn best by being interested instead of disciplined. It fitted the educationists problems, muses Conant, "as a key fits a lock...
...Blue Angel. The 30-year-old Dietrich dazzler updated, with sultry Swedish Actress May Britt as the Berlin Lorelei whose siren song lures West Germany's Box-Office Idol Curt Jurgens onto the rocks...
...flaws in Hollywood's Blue Angel, in fact, lie less in its cast than in its direction and production. Where the original was visually stark and grimy, the remake, splashed with incongruously cheery color, has the phony patina of Palm Springs. The sets and scenery (some of it filmed in Bavaria) suggest a Victor Herbert operetta rather than German bourgeois society. And the hardbitten, even morbid truths hammered home in the German version become soft and mawkish half-truths under the hand of Hollywood's Edward Dmytryk, who has consented to a happy ending that makes the teacher...
Pretty to look at, pleasant to listen to, the new Blue Angel is a distinct cut above most summer film fare. But there was harsh truth in Marlene Dietrich's comment when she was asked what she expected of the remake of the film that put her into orbit. Said Marlene: "Hollywood people have delusions of grandeur. They just think they can make...