Word: angelically
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...finally arrived at Manhattan's Palace Theater. Before an audience drawn mostly from the clientele of her favorite night spot, the Continental Baths, Midler demonstrated once again that she is a superb female impersonator. Not, however, as good as Rodney Pigeon. The following night at the Blue Angel nightclub, Rodney, 20, scored a succèsfou in the French-inspired transvestite revue Zou. Hurling himself onto the pocket-handkerchief stage, the divine Miss M's carbon copy skittered and tittered while belting out Midler's theme song, Friends...
...tricky because it's slow--the serpent teaching Adam and Eve the meaning of death, hope and conception with little action and a lot of talk. Again--when you have Paradise as the scene the danger lies in seeming ponderous. Here the solution--as in, say, "The Blue Angel"--is sensuality: it takes care of fluidity, momentum and vividness in a fell swoop if it's used right. Hershman does, by making his serpent a double image, played by two women, Gypsy Knocks and Victoria Kins. They never stop moving, swaying and undulating in a coiling mass that envelopes...
...otherwise adorning the likes of Liza Minnelli, Josephine Baker and Capucine. The performers, together with ordinary mannequins, would stage a kind of high-budget vaudeville called "Le Grand Divertissement à Versailles." The money? Ah, yes, patrons like the Baroness Marie-Hélène de Rothschild would angel the operation, and people like Amanda Burden, Princess Grace, the Charles Revsons and Karim Aga Khan would lend their glamorous names as sponsors. Last week it all happened, more or less as planned. But as with the 1770 fireworks, there was rain on the big parade. In fact, the preparations preceding...
...Playboy and Out, archrivals of Publisher Bob Guccione's Penthouse. She was featured as one of Playboy's "Girls of Munich" in August 1972, an exposure that won her a spot on Oui's November 1972 cover and a centerfold spread inside ("Marlene: The Blonde Angel"). Which is again odd, because Guccione refuses to photograph models for Penthouse who have appeared nude elsewhere. He also insists that his models give their real names for publication. Does he feel he was snookered into running pictures of a Playboy and Out veteran, and a falsely named one at that...
...Neill seemed to write as if God (or the Devil) had given him life for just one reason: to shout with every breath that all was a ghastly mistake. "Froth! Rotten!" were his actor father's dying lines, and the playwright son with the eyes of a fallen angel carried on the refrain. "The Great Sickness" was among O'Neill's milder epithets for human existence...