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Prokofiev: Romeo and Juliet (Cleveland Orchestra, Lorin Maazel, conductor; London; 3 LPs; $17.94. London Symphony Orchestra, Andre Previn, conductor; Angel; 3 LPs; $17.98). A typical instance of how the classical record industry can drive its customers berserk and eat up its own profits. The complete version of this score has been almost totally neglected since the LP's birth 25 years ago; now come two competing versions. Ah, free enterprise! Both sets manage to confirm that this is the finest evening-length ballet score since Tchaikovsky. Neither, as it happens, quite equals the poetry and passion of Charles Munch...

Author: /time Magazine | Title: Music: Pick of the Pack | 11/26/1973 | See Source »

...Rippe's engines look as if they might have provided the angel Morani's means of levitation. There are about twelve of them, large ceramic pyramids crowned with shiny lengths of copper pipe and arcs of lavender plastic tubing. They bristle with brass nozzles and colored buttons and toggle switches. Overlaid on their basic gray-green, Boston beanpot color are gleaming red and blue zigzags, rows of tiny gold stars, and a gaudy, iridescent rainbow glaze. They have no discernible source of power and no visible moving parts, though at least one of them (The Rippe 1921 Virgin Gas Engine...

Author: By Mary Scott, | Title: Imaginary Engines | 11/21/1973 | See Source »

Cinema Two: The Blue Angel...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 11/15/1973 | See Source »

Died. Paul Hartman, 69, ballroom buffoon with a thousand expressions whose double-jointed dance routines with his wife Grace tickled American nightclub and theater audiences in the '30s and '40s; of a heart attack; in Los Angeles. Best known for his Broadway antics in Angel in the Wings (1948), Hartman appeared frequently on television and made numerous films, among them Inherit the Wind (1960) and Luv (1967). He had recently begun preparing for a major supporting role in a movie of Nathanael West's The Day of the Locust...

Author: /time Magazine | Title: Milestones, Oct. 15, 1973 | 10/15/1973 | See Source »

...Hung and their principal adversary, the loyal General Kuan Yu, symbolize great age. The thin soles worn by the protagonists in The Cowherd and the Village Girl establish their low station in life. Waving ribbons, such as those used by the title character in The Heavenly Angel, may indicate anything from the sea to clouds to the wind. Since many a Chinese opera can run as long as seven hours, the evening's program is wisely limited to climactic excerpts from these and such other large-scale classics as The White Serpent, in which the title character, helped...

Author: /time Magazine | Title: Music: Chinese Opera: Gongs & Whiteface | 10/8/1973 | See Source »

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