Word: angelized
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...Salazar, who hopes his video record will get him into film school, is the movie's recording Angel; he tells one of his squad subjects, "The camera never lies." That's nonsense, the other soldier says, "The camera does nothing but lie." De Palma has been investigating the question of visual veracity for most of his 40-year career. Redacted takes him back, back, past the Hitchcock homages and the action epics, back to his earliest films: Greetings! and Hi, Mom!, two innovative satires on the Vietnam War. The first film has clips of Lyndon Johnson addressing the nation...
...their styles, the movies are poles apart: Redacted is constructed entirely of seemingly real snippets of media: YouTube-like blogs, video posts, picture-phone emails and a daily video record of the war kept by one soldier, Angel Salazar (Izzy Diaz); it's a multimedia mockumentary. Elah is more traditional, a crime procedural that involves a police detective (Theron) and the murdered GI's father (Jones). But both films have a startling impact and a lingering chill. Just as important, both demand that their viewers consider the cost of the government's decision to invade a land no American...
...without overwhelming her young stars. The dance numbers go for group precision over virtuoso acrobatics. Derek McLane's sets are bright and witty, from the stacks of school lockers or cars at a drive-in movie, to the neon ice cream cone that opens to reveal the hunky Teen Angel in the terrific "Beauty School Dropout" number. Marshall has beefed up the original score with the excellent songs written for the 1978 film (including "Hopelessly Devoted to You" and "You're the One That I Want"). Best of all, she doesn't poke us in the ribs to make sure...
...drinks as much as she likes and will sucker punch anyone she doesn't like. In the first scene, we see her fully naked in bed--with a married cop--a prelude to her driving drunk, hitting a pedestrian and getting an intervention from a genuine, albeit tobacco-chewing angel. (By the second episode, she's trying to beat...
...Damages is first of all a damned compelling legal mystery, and Patty a magnetic presence. And Saving Grace is finally about faith (and its absence), loss (the aftermath of the 1995 Oklahoma City bombing) and redemption, as well as how we fight it. In an early scene, Grace's angel proves his powers by showing her a vision, and Grace --while disbelieving and resisting the miracle--is seduced and disoriented by it. Hunter makes Grace simultaneously resistant, aroused and a little drunk. In the moment, she's neither a fallen woman nor a female role model. She's just human...