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Word: angellic (lookup in dictionary) (lookup stats)
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...Kubrick, the chance to experiment with Nabokov's novel--and the result remains titillating. Some will argue that Sue Lyons was too old to play Nabokov's beguiling nymphet. But you have to know that those sunglasses and red lipstick and tight pants sum up the early 60s' teen angel. Others will tell you that James Mason's manners are too good to convey the sick depths of Humboldt Humboldt's jealousy; but it's precisely this polish that lends Humboldt that extra edge of perversity. And then there is Peter Sellars, who is more wicked and twisted than ever...

Author: NO WRITER ATTRIBUTED | Title: Kubrick Gets His Kicks; Hawks Hyperventilates | 4/27/1978 | See Source »

...marshals are now looking for "people in the area, perhaps someone in a Broadway show, or someone with a Harvard angel," Marczuk added...

Author: By William J. Berry, | Title: Asimov Dismisses Invitation to Speak At Commencement | 4/26/1978 | See Source »

...ambitious debut. Gordon goes beyond any formulas about sheltered young women entering the churning world and learning through suffering. Isabel is a sympathetic but varied character. What she says of her father applies to her as well: "His mind had the brutality of a child's or an angel...

Author: /time Magazine | Title: Books: Irish Lib | 4/24/1978 | See Source »

...short, Alan Freed was not the angel with a damaged wing that American Hot Wax shows us. The payola affair is mentioned briefly in one scene, but Freed's relationship to it is fudged. The movie ends with an ominous subtitle epilogue which informs us that Freed was indicted and died "penniless" shortly thereafter. This is a truth which is distorted by its context. The real Freed was indeed a Messiah of rock and roll, but not for its own sake alone. He had lots to gain. The treatment of Freed points up the main feature of this movie...

Author: By Joseph B. White, | Title: The Way We Weren't | 4/3/1978 | See Source »

...hard to imagine Fassbinder, contrast, very far from the pavements of a modern city, whether it be Munich, Berlin or New York, his favorite place. Though he dresses in dirty jeans and a leather jacket, and looks like a Hell's Angel, Fassbinder is rigidly disciplined. Since he finished his first film in 1969, he has turned out, on average, one full-length movie every three months. "I want to build a house with my films," he says. "Some of them are the cellar, some are the walls, and some are the windows. But I hope...

Author: /time Magazine | Title: Show Business: Seeking Planets That Do Not Exist | 3/20/1978 | See Source »

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