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...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Leonard S. Levine, Billy Powers, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...

Author: /time Magazine | Title: Time Magazine Masthead | 3/23/1987 | See Source »

...gargantuan appetites, his 600-page novels with their catalogs of sensual impressions, and his operatic love affair with Stage Designer Aline Bernstein, whom he alternately praised as someone who afforded him the "happiest hours I have ever known" and a "titillative New York Jew." His autobiographical novel Look Homeward, Angel was a sensation, and the title of his third book, You Can't Go Home Again, became a rallying cry. William Faulkner later appraised him as one of the most important contemporary American writers. But even in his lifetime, Wolfe was cruelly parodied, and after his death from tuberculosis...

Author: /time Magazine | Title: Books: Lit Abner LOOK HOMEWARD: A LIFE OF THOMAS WOLFE | 3/16/1987 | See Source »

Parker cannot be held solely responsible for the film's ludicrous content. Credit must also go to William Hjortsberg, whose novel Falling Angel Parker adapted. Surely the author must be held responsible for such linguistic masterworks as Harry Angel, Louis Cyphre (as DeNiro states, "Mephistopheles is a mouthful in Manhattan) and Epiphany Proudfoot as well as the generous amount of scenes set in or around places of worship. One can easily see what attracted Parker to this work. No pulled punches anywhere--it's a veritable primer of platitudes...

Author: By Joseph D. Penachio, | Title: Peeping With Parker | 3/12/1987 | See Source »

Creativity aside, Angel Heart is entertaining in a way. Mickey Rourke gives the best in his series of hard-boiled-ethnic-gumshoe-with-a-heart-of-gold-an d-sort-of-a-racist performances by adding elements of humanity to the character of Angel, giving the film its only sympathetic reference point...

Author: By Joseph D. Penachio, | Title: Peeping With Parker | 3/12/1987 | See Source »

Ultimately, however, Angel Heart is a mental and physical cock tease. Hollywood and Alan Parker have once again fallen victim to their appetite for the sensational and the uninteresting. If you're looking for cheap thrills and sexism, this film is the place to go. But to escape the bad, somewhat salty taste it will leave in your mouth, try the hole in the wall of the nearest peepshow. Chances are, if Angel Heart is any indication, Alan Parker might be in line ahead...

Author: By Joseph D. Penachio, | Title: Peeping With Parker | 3/12/1987 | See Source »

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