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Shepard would have been disappointed if he had staved around Harvard long enough to see the American Repertory Theatre's staging of his play Angel City. It's a classic example of wasted potential an accomplished director and cast took on a superb modern play then backed down when the going got tough The play criticizes stale, warmed-over fare posing as art, and that is exactly what the A. R. T. has dished up. Their production, while competent, lacks the vitality and even the horror central to Shepard's vision, and it lacks anything remotely like courage Shepard...

Author: By Ted Osius, | Title: Where 'Angel' Fears To Tread | 4/18/1984 | See Source »

Angle City presents a view of Hollywood and the American movie industry where greed and ambition have destroyed the last vestiges of artistic integrity Shepard says he wrote Angel City after a bad experience in an office in Hollywood and his cynical pessimism shows through every line of the script Each character in the play has a dream Lanx wants to be a boxer, Miss Scoons wants to be an actress. Tympani dreams of owning a diner And each has sold out, abandoned his integrity in order to try and claw his way to the top Money is the driving...

Author: By Ted Osius, | Title: Where 'Angel' Fears To Tread | 4/18/1984 | See Source »

...soon-to-be-engaged, and married couples--alternate between stiffness and competence, depending on how much artificial language their characters spew out. The ones intended to be irritating (Curt Raffi and Jennifer Burton) achieve a bit more success in such instances than the ones who are merely sweet (David Angel and Laurence Bouvard), but this, too, is only partly blameable on the actors. Children in bright dresses, tuneful incidental music by Brooks Whitehouse, and lederhosen all around contribute to the impression of a light and pleasant entertainment, the "comedy" of the title, through which the production meanders with verbose leisure...

Author: By Amy E. Schwartz, | Title: Love's Verbosity | 4/10/1984 | See Source »

...making his acting debut opposite his magnificent mama Sophia Loren, 49. Naturally, the lad plays Loren's offspring in the movie, which-to keep things in the family-is being produced by his father Carlo Ponti, 70. How did the little cherub do, Mama? "He looks like an angel, but he's really like a devil," says Edoardo's glamorous costar. "Already he criticizes my acting." Meanwhile, the Pontis are working on plans for another family project: a new home on Williams Island, a $1 billion resort venture in North Miami for which the couple are creative...

Author: /time Magazine | Title: People: Apr. 9, 1984 | 4/9/1984 | See Source »

...undoubted reason for the increase is that women find the image of cocaine attractive: heroin is a grubby street product, and PCP, an animal tranquilizer known as angel dust, is the "unemployment drug" because it relieves depression. Some women seem to think that cocaine can bring better orgasms. Says Charlotte Wolter of the Women's Resource Center: "Cocaine is thought of as the champagne of drugs...

Author: /time Magazine | Title: Behavior: Turning Increasingly to Cocaine | 4/2/1984 | See Source »

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