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Word: angells (lookup in dictionary) (lookup stats)
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December in Missouri and the Angel of Frost has come...

Author: By John THOMAS Clark, | Title: December in Missouri | 8/18/1967 | See Source »

...some of the challenging peaks of the piano repertory. Most pianists refrain from tackling Beethoven's 32 sonatas until their ripest years. Barenboim had learned them at 14, played them in a cycle of concerts in London last spring, and is now recording them all on the Angel label. "If you could work to an ideal interpretation, then you'd have to wait to record everything on the day before you die," he says. "All music is something that's made at a certain time. And it doesn't get better by being left...

Author: /time Magazine | Title: Pianists: Beyond Dexterity | 8/11/1967 | See Source »

...Peter Fonda, who plays the chief tripper and head Angel: I've never been so bored watching somebody so beautiful...

Author: By Joel Demott, | Title: The Wild Angels, The Trip | 8/8/1967 | See Source »

...experiment was such a success that Shankar and Menuhin decided to expand on it in a London recording studio. The result is one of the year's most fascinating-and briskly selling-classical albums; released in the U.S. on an Angel label, it has sold 15,000 copies in six weeks. Menuhin plays two ragas worked out by Shankar (the rest of the album is given over to a solo by Shankar and a performance of Enesco's Sonata No. 3 by Menuhin and his pianist sister Hephzibah). On the first, a violin solo, Menuhin spins...

Author: /time Magazine | Title: Recordings: Raves for Ravi & Yehudi | 8/4/1967 | See Source »

TCHAIKOVSKY: VIOLIN CONCERTO IN D MAJOR (Melodiya-Angel). An extraordinary father-son act: David Oistrakh, 58, conducts the Moscow Philharmonic, while his son Igor, 35, fiddles. David, long considered one of the world's great violinists, now proves himself, after only five years on the podium, a conductor of major talent, while young Igor shows every indication of keeping the Oistrakh name in the annals of superior violinists. Together, they exploit every nuance in Tchaikovsky's eternally popular concerto, an exercise in wild conversation between the persistent, articulate voice of the violin and the rumbling, colorful orchestra...

Author: /time Magazine | Title: Time Listings: Jul. 14, 1967 | 7/14/1967 | See Source »

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