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Fogg Museum's "highbrow lot" have indicated partiality towards Van Leyden's "cool, subtle" Angel, according to the current issue of Time Magazine. The painting is the most recent entry in Time's long list of public favorites...

Author: NO WRITER ATTRIBUTED | Title: Time Magazine Picks Van Leyden's 'Angel' As Favorite at Fogg | 9/26/1952 | See Source »

...stories never published in full, Captain Stormfield's Visit to Heaven, and one that has never appeared in a book, Letter from the Recording Angel, both twanging good Twain skepticism, will be issued together next week in Report from Paradise (Harper...

Author: /time Magazine | Title: Books: Great American Boyhood | 9/1/1952 | See Source »

...Sign of the Angel. When Friedrich Jacob Merck took over a pharmacy called the Engelapotheke ("Angel Drugstore") in the Hessian town of Darmstadt 284 years ago, chemistry was just emerging from the shadows of alchemy. In 1827, the Merck firm started manufacturing; in the next 40 years it achieved the first commercial production of morphine, codeine and cocaine. By 1891 the company was selling so many of its products in North America that a son of the house, 24-year-old George Merck, was sent over to take a closer look at the market...

Author: /time Magazine | Title: Medicine: What the Doctor Ordered | 8/18/1952 | See Source »

...rating was low. In casting about for some way to lure more listeners to their radios, OSS remembered Marlene Dietrich. Her voice was far from the greatest in the world, but it had a haunting huskiness that Germans could well remember from such early Dietrich movies as The Blue Angel and from dozens of records (Jonny, Mein Blondes Baby, etc.). Actress Dietrich agreed. OSS picked familiar pop tunes and gave them brand-new German lyrics; Dietrich's recordings were broadcast to the Third Reich...

Author: /time Magazine | Title: Music: Weltschmen | 8/4/1952 | See Source »

...them, passed by portraits by Van Dyck, paintings by Poussin, frescoes by Ingres. Into the tiny chapel they went, and headed directly for the altar, where two pictures hung: on the right, a small (28 in. by 35 in.) Infant Jesus, believed to be a Rubens; on the left, Angel Playing Violoncello, attributed to Raphael. Down came the paintings, frames and all. From concealed drawers the thieves took finely wrought vestments and a gold wafer dish. Then out they went, as silently as they had come. Paris newspapers estimated their choosy haul at 50 to 60 million francs...

Author: /time Magazine | Title: FRANCE: The Historical Castle Mob | 7/28/1952 | See Source »

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