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...voice, in later years somewhat shrill, had the range of a roller coaster. In cutaway coat with stiff collar and ascot tie, Whitehead paced the lecture platform with hands in pockets. Vestigial tufts of white hair fringing a shiny bald pate made him look, said one pupil, "like an angel whose halo had slipped." Now & then Whitehead arrested his pacing to sketch a deceptively simple blackboard diagram of what he called a "prehension" or to explain patiently what he meant by such Whiteheaded concepts as the "form of flux...

Author: /time Magazine | Title: Education: Becomings & Perishings | 1/12/1948 | See Source »

Cary Grant is an angel in "The Bishop's Wife." The angel's name is Dudley. Just Dudley. No other name. That makes it easy to identify him as an angel, for the audience at least, if not for the worldly characters in the picture, most of whom never suspect that Dudley's mononomenclature suggests a nether background. Here is one example of this strange mental dullness in otherwise apparently intelligent characters. The bishop, it has been established, knows what Dudley is, although he finds the concept a difficult one to accept, despite overwhelming evidence of its truth. He introduces...

Author: By J. C. R., | Title: The Moviegoer | 1/7/1948 | See Source »

...television puts out three hours a day of newscasts, ballet, interviews, boxing, short films and full-length revivals (e.g., Marlene Dietrich in Blue Angel), and at least two plays a week. If only in technique, the plays are ahead of most things U.S. television has done. With no sponsors to worry about (the government foots the bill), BBC can experiment...

Author: /time Magazine | Title: At Home & Abroad: At Home & Abroad | 1/5/1948 | See Source »

Thunderbolt Language. His first novels Look Homeward, Angel and Of Time and the River, were overwhelming performances: in the face of their mass and virtuosity, what was the use of rebelling against his frequent abuse of the language that he handled as if he were God hurling thunderbolts...

Author: /time Magazine | Title: Is Genius Enough? | 1/5/1948 | See Source »

...Salvador Dali used a Christmas angel and Star of Bethlehem for a timely nylon ad-a painting hardly more offensive than the mawkish Madonnas and cute little representations of Jesus in most modern chromos, Sunday-school picture books and Christmas cards. Largely, they were hack work, to be judged in the same charitable spirit as cards featuring Santa Claus, Christmas trees and blazing hearths. Either as art or religion they did not pretend to much. As Sculptor Moore himself remarked, without a sigh: "The great tradition of religious art seems to have got lost completely in the present day." What...

Author: /time Magazine | Title: Art: Gifts for God | 12/29/1947 | See Source »

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