Word: angels
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Dates: during 1970-1979
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...handle a snub-nosed .38 and the proper way to kick nasty men in the ribs. Neither did she require such talents as the sybaritic Charlie perfume girl. But both are in her curriculum now that Hack, 31, has replaced Kate Jackson in the trio of Charlie's Angels alongside Veterans Cheryl Ladd and Jaclyn Smith. Artfully imitating her own earlier life, Hack will play a Seven Sisters seraph named Tiffany Welles. As such, she has to bite the Angel dust from time to time. In one early scene, for instance, Hack is overpowered by hired killers...
...Laughing, Robby Benson, 23, is practically the entire show. He stars, wrote the script with his father Jerry Segal, and composed five songs for the score. Benson plays a cabbie trapped in an espionage plot who is lucky enough to have Elsa Lanchester, 76, as a sort of guardian angel. Her explanation of her role is vintage Lanchester: "You see, I have to go up into the California vineyards in an effort to help Robby, who's been caught by alien agents because his monkey that I'm taking care of has the secret for turning waste into...
Beethoven: Symphony No. 7 (Philadelphia Orchestra, Riccardo Muti conductor, Angel). Mussorgsky-Ravel: Pictures at an Exhibition. Stravinsky: The Firebird Suite, 1919 version (Philadelphia Orchestra, Riccardo Muti conductor, Angel). Now that Muti has been appointed to succeed Eugene Ormandy in 1980, listeners will turn to these, his first discs with the orchestra, to see what kind of new leader the Philadelphia has. They will find few conclusive answers. These are unexceptionable performances, clean and firm-if anything, too firm in the emphatic attack in the Beethoven and the clipped chords of the Mussorgsky and Stravinsky. What is missing...
Shostakovich: Lady Macbeth of Mtsensk (Soprano Galina Vishnevskaya, Tenor Nicolai Gedda, Bass Dimiter Petkov, Ambrosian Opera Chorus, London Philharmonic Orchestra, Mstislav Rostropovich conductor, Angel; 3 LPs). Soviet critics thought they heard a masterpiece when this, Shostakovich's second opera, was premiered in 1934. Then Stalin walked out of a performance and they listened again. This time they heard "din, gnash and screech" (Pravda). The work was withdrawn, and Shostakovich pursued more orthodox ways. A sanitized version, unveiled in 1963, found its way to the West on records, but this is the first recording of the original score. Harsh, erotic...
Benjamin Britten: Spring Symphony (Soprano Sheila Armstrong, Mezzo Janet Baker, Tenor Robert Tear, St. Clement Danes School Boys' Choir, London Symphony Orchestra and Chorus, Andre Previn conductor, Angel). Berlin born and Hollywood bred, Previn continues to show a surprising flair for English music. Here he leads a zesty performance of a piece that, like so much English music, makes a strength of its provincialism: it has medieval and folk echoes, strikes a resolutely winsome and pastoral note, and is steeped in native literature (with settings of verses by poets from Herrick and Blake to Auden). Britten composed it when...