Word: anges
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...flop bug bites art-house directors too. Ten years ago Ang Lee spent $15 million to make Crouching Tiger, Hidden Dragon and had a $127 million winner; in 2009 he spent $35 million on Taking Woodstock, which grossed just $7.5 million. Meanwhile, The Hangover - another no-star comedy about drugs and larceny, also costing about $35 million - was the year's top-grossing comedy. The Hangover was out of nowhere; Sandra Bullock was out of the past. After nearly a decade without a solid hit, she starred in The Proposal and The Blind Side. Combined budgets of the two films...
...Beyond the washroom, works by more than 100 artists and filmmakers from 25 countries will sprawl across QAG and GoMA from Dec. 5 to Apr. 5. Admission is free, and there's a plethora of satellite events, including a Kids APT, concerts, lectures and a cinema program featuring directors Ang Lee (Taiwan), Rithy Panh (Cambodia/France) and Takeshi Kitano (Japan). (See pictures of Australia's hidden islands...
Politics - national, global, financial and sexual - dominated the festival and its awards. The Golden Lion, the top prize from the jury headed by filmmaker Ang Lee, went to Lebanon, Samuel Maoz's potent memoir of the first Israeli?Lebanon war. Women Without Men, a feminist drama set in Iran during the 1953 U.S.-backed coup that placed Reza Pahlavi on the Peacock Throne, earned the runner-up Silver Lion prize for director Shirin Neshat. Ksenia Rappoport took Best Actress as a Slovenian immigrant with a mysterious agenda in the Italian thriller The Double Hour. And Britain's Colin Firth...
...Lane. Lane is plump, sweaty and initially seems so eager to cash in on Burke's burgeoning celebrity that we assume we're watching a young Ari Gold (without Ari's personal trainer). But Fogler, who had a gleeful part as the head of a absurd theater troupe in Ang Lee's Taking Woodstock, conveys a genuine concern for Burke, and we grow fond of him as well. Love never happens in this movie, but at least there's some liking here and there...
...movie has no stars, few recognizable faces. And unlike so many American films, which cast gentiles in Jewish roles (Imelda Staunton, for example, as the stereotype mother in Ang Lee's Taking Woodstock, also about suburban Jews in the '60s), this one actually has ethnic-appropriate casting. The Jews here are sometimes broadly drawn - Larry's family slurps soup at a decibel level that even the Simpsons would find deafening - but they're fully assimilated. Nobody says, "Oy vey!" or talks shtick. If people answer a question with a question, the first would be Larry's plaintive "Why me?" when...