Word: anglo-saxon
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Sense & Sensibility. In painting, the Romantic era in France produced the art of David, Ingres and Delacroix, but Anglo-Saxon Britain far more nearly mirrored the chaotic spirit of the age through the diverse brilliance of Gainsborough, Reynolds, Constable, Blake and Turner. How strikingly they and other British artists staked out the realm of the new sensibility in the Romantic era can be seen in a display of 236 oils, watercolors and drawings, assembled from collections in America and Europe, now at the Detroit Institute of Arts (see color pages). "British Masterpieces," which will be shown at the Philadelphia Museum...
...conspiracy is that it is a vehicle used by the prosecutor to get in evidence that he could not otherwise possibly get in." Some legal scholars agree. Yale Law Professor Abraham Goldstein says: "It threatens the whole fair-trial notion." And, he adds, it crowds the maxim of Anglo-Saxon law that a man cannot be punished for evil intent alone...
...sequel to his picture treatise, The Medium is the Massage. MacKinley Kantor has a book of reminiscences and an antebellum novel about a Southern girl who falls in love with a slave with the unlikely name of Beauty Beast. Stephen Birmingham will issue separate reports on white Anglo-Saxon Protestants and Sephardic Jews, Barnaby Conrad a memoir and a how-to-do-it on bullfighting, Muriel Spark poems and stories, Tom Wolfe a collection of essays and a report on Novelist Ken Kesey, the Norman Mailer of the West Coast. But all this conspicuous industry settles into sloth when compared...
Harvard audiences have heard Borges recite Latin, French and German extemporaneously and translate all into flawless English. He quotes as readily from The Divine Comedy as from Beowulf. He has taught graduate students Anglo-Saxon, lectured at the University of Texas, made a hobby of Old Norse poetry and extended his metaphysical range to Egypt to Arabia to China...
...intellectual bastilles, he coolly sat down to write in his luxurious apartment overlooking the Bois de Boulogne, carefully dressed for literature (blue serge suit, quiet four-in-hand, expensive leather carpet slippers). An unabashed Anglophile, he became a one-man diplomatic corps to the English-speaking world; from the Anglo-Saxon point of view, he was Our Man in Paris...