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Word: angst (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...calls this the element of discontinuity. We must crack open the old forms and push on toward the future. Christ is both immanent and futuristic; here and to come. Any over-balancing ends in existentialist entrapment. If the old God symbols are dead, so is Sartre with his existentialist "angst." The "nowism" of existcutialism and death-of-godism trapped man in himself. There is no way out. Man was trapped building a world which wasn't going anywhere and hadn't been anywhere...

Author: NO WRITER ATTRIBUTED | Title: From the Shelf The Feast of Fools | 11/18/1969 | See Source »

...Madison Square Garden, they could fill the joint with suckers every night." He was getting at a basic truth about the fascination of gambling. But what clearly eluded him-and what Sam Toperoff conveys with love in this oddly winning novelistic memoir-is the peculiar delight, the exquisite angst that horses (and wagering on them) give a really dedicated race-goer...

Author: /time Magazine | Title: Books: Exquisite Angst | 6/27/1969 | See Source »

Arthur Fidelman-half tragic hero, half Yiddish joke-has ranked among Malamud's finest double characters since he began to appear over a decade ago in assorted short stories. Now Malamud presents him in a brilliant full-length exercise in slapstick Angst...

Author: /time Magazine | Title: Books: Goodbye, Old Paint | 5/9/1969 | See Source »

...JOHN BARBIROLLI AND THE NEW PHILHARMONIA ORCHESTRA (Angel, two LPs). The tragic beauty and power of this score can scarcely be matched anywhere. "It is the sum of all the suffering I have been compelled to endure at the hands of life," said Mahler. Barbirolli drains every ounce of Angst from the music, and the recording itself is superbly engineered...

Author: /time Magazine | Title: Television: Dec. 27, 1968 | 12/27/1968 | See Source »

...fact, on a deeper level Forman's film and his previous release, Loves of a Blonde, are so relaxed and unimposing that they offer a real contrast to contemporary cinematography. With no hero, no violent or explosive action, and no plastic characters with expressions of angst molded into their features, this portrait of Czech life is singular in its impact. Instead of extraordinary experience or bigger than life tragedy, there are pathetic vignettes about totally unexplained but quite believeable people. In place of the complete involvement of constructed suspense, there is the uneventful yet amusing commonplace. It is reality...

Author: By Ronald H. Janis, | Title: The Firemen's Ball | 11/21/1968 | See Source »

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