Word: angstful
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Dates: during 1990-1999
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...fund raiser, at the waterfront home of former Universal Studios CEO Frank Biondi in Edgartown, she took in $250,000, as her husband held court on the porch, urging everyone to join the large crowd lined up for a photo with the candidate. It's hard to know what angst he's experiencing inside, but the President is at least making a good show of being ready to step aside and take on "spouse of" status. "He eased right in to being the No. 2 person, an opening act, not the headliner," said Harvard law professor Alan Dershowitz...
...dimensional, as cartoon characters. The players call each other by their real names--Erik, Will, and Waka ("real" is relative on and off the stage)--and portray Shakespearean actors in the same way that Bugs Bunny portrays a rabbit: They play caricatures, not characters. The "actors" are shy, ironic, angst-ridden, occasionally obnoxious and grossly human. Their closest Shakespearean analogues are the Rude Mechanicals in A Midsummer Night's Dream...
...hoppers, however, have no monopoly on sexual angst. TV has also become obsessed with virgins, from Felicity, Buffy and Dawson to next season's Popular and Wasteland. The medium loves titillating and moralizing, and virgin dramas allow both, a situation that has changed little since the 1978 controversy over NBC's James at 15. Dan Wakefield, who created James, says NBC then balked not at James' deflowering but at his using birth control: "They said that if James has sex at age 16 and is not married, he must suffer and be punished." Just so, Buffy can lose her maidenhead...
...dimensional, as cartoon characters. The players call each other by their real names--Erik, Will and Waka ("real" is relative on and off the stage)--and portray Shakespearean actors in the same way that Bugs Bunny portrays a rabbit: They play caricatures, not characters. The "actors" are shy, ironic, angst-ridden, occasionally obnoxious and grossly human. Their closest Shakespearean analogues are the Rude Mechanics in A Midsummer Night's Dream...
...factors of a post-punk generation. On "I Don't Love Anyone," in a sense speaking to Lou Reed, Murdoch tells of meeting a strange man who told him, "The world is soft as lace." The singer replies, "There's always somebody saying something." Herein lies the obligatory generational angst: a reversal of "Sweet Jane." Of course, there is also "Expectations," a song about a woman in a dead-end job; she is said to have a hobby of making life-size statues of the Velvet Underground...