Word: angstful
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Dates: during 1990-1999
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Dawson (James Van Der Beek) and Joey (Katie Holmes) win a film competition, but this does little to alleviate the show's unending teen angst. Dawson's dad (John Wesley Shipp) moves into a new apartment, Pacey (Joshua Jackson) finds out he may have to repeat his sophomore year, Dawson watches Jen (Michelle Williams) get trashed and trashy at a party, and Jack and Joey go out on a date, much to Dawson's consternation...
...Whoopie Goldberg. Goldberg is realistic and tactless, introducing herself to Beth as, "Hi my name is Candy, Candy Bliss. Sounds like a porn-star....What can I say, presents can be so cruel to kids." Naturally this ironic remark drives Beth to tears, and for the next nine years, angst-ridden, she tries to cope, unsuccessfully, with her guilt over Ben's loss...
Fist-pumping boys screamed along as the older break-up anthems came on, but the newer songs are plenty angry, never fear. Pollard's howled rendition of "Break Free," which he wrote for the new album, was particularly frightening. Lou's soulful lyrics and simple beats on "Flame" transform angst into actual anguish, however, and on many of the pieces from the latest album the guitars do most of the screaming. Due in part to Lou's sore throat, this emphasis on dexterous guitar and bass still conveys the raw emotion and intensity of Sebadoh's songs. Slouching on stage...
...Fist-pumping boys screamed along as the older break-up anthems came on, but the newer songs are plenty angry, never fear. Pollard's howled rendition of "Break Free," which he wrote for the new album, was particularly frightening. Lou's soulful lyrics and simple beats on "Flame" transform angst into actual anguish, however, and on many of the pieces from the latest album the guitars do most of the screaming. Due in part to Lou's sore throat, this emphasis on dexterous guitar and bass still conveys the raw emotion and intensity of Sebadoh's songs. Slouching on stage...
...Fist-pumping boys screamed along as the older break-up anthems came on, but the newer songs are plenty angry, never fear. Pollard's howled rendition of "Break Free," which he wrote for the new album, was particularly frightening. Lou's soulful lyrics and simple beats on "Flame" transform angst into actual anguish, however, and on many of the pieces from the latest album the guitars do most of the screaming. Due in part to Lou's sore throat, this emphasis on dexterous guitar and bass still conveys the raw emotion and intensity of Sebadoh's songs. Slouching on stage...