Word: angstful
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Dates: during 2000-2009
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...Scheider, 75, with mournful eyes and the granite jaw of a Toltec deity, had a great movie '70s. He fought the great white shark in Jaws; he helped Gene Hackman search for Frog One In The French Connection; he smoked up a storm and underwent terminal angst as Bob Fosse's surrogate in All That Jazz. To Scheider's tough guy, Mel Ferrer, 90, was Mr. Soulful Softie, scoring as the hobbled puppeteer opposite Leslie Caron in Lili and as Prince Andrei in War and Peace, where he costarred with the fourth of his five wives, Audrey Hepburn. Before movies...
...Some observers abroad, however, seemed so intent on mocking French angst over the news that they failed to notice there actually was none this time around. "French Find German's Role Hard To Swallow" shouted U.K. daily The Independent - then curiously went on to quote exclusively German sources hailing Caspar's appointment as revenge for the long-disparaged Teutonic food tradition...
...chance now. But I hold some kind of nostalgia for them that I won't let go. Bands like Minor Threat and Black Flag. If someone just gave that stuff to me and I didn't have any of the associations that went along with punk rock or the angst, do I think that I would just go, Hey, I like this song, as opposed to "Umbrella" by Rihanna? I'm not sure. I think I would probably go with "Umbrella." I'm probably going to get shot for saying that, but it's the truth...
...character of Muddy Water’s archrival. The musicianship throughout is remarkable: the actors stepped into their roles seamlessly and even recorded their own voices for the soundtrack. The plot, while simple and slightly larger than life, is nevertheless entertaining and encompasses everything from love, lust, and racial angst to a great take on the blues and its road to popularity. The movie gives true meaning and foundation to the classic cliché of sex, drugs, and rock ‘n’ roll. “Cadillac Records” just feels real: the violence is brutal...
Even if you have not read the book, you're probably familiar with the plot. A 15-year-old lad named Michael Berg (David Kross, giving a splendidly modulated performance of teen angst, sexuality and intellectual aspiration) falls ill in the entrance of an apartment building in 1950s Germany. He is rescued by an attractive working-class woman named Hanna (Kate Winslet in a performance that heartbreakingly combines passivity and anger) who arranges his return home. When he comes back to thank her for her aid, they embark upon a heated sexual relationship, which, in due course, she abruptly breaks...