Word: angstful
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...that sense, "The Hulk" was made in the shade. Tempers frayed as the budget soared to $150 million, and the director's painful attention to detail and insistence on retakes drove his cast nuts. (Not for nothing do actors call him Angst Lee.) "It wasn't a set full of conflict," Bana says carefully. "It was a set full of tension. I think Ang boiled over only once, and I boiled over only once." Looking back, he says, making the movie "was satisfying the way running a marathon is satisfying. At the end, the person feels pretty good...
DIED. SLOAN WILSON, 83, author of the best-selling 1955 novel The Man in the Gray Flannel Suit; of complications from Alzheimer's disease; in Colonial Beach, Va. His novel of suburban and corporate angst struck a postwar nerve and coined a cultural catchphrase...
...Deftones' self-titled fourth album has enough of the usual brain-crunching power chords, curdling screams and angst to keep the band's core audience blissfully alienated. Minerva, the first single, is a churning semiballad about a failed relationship that, with minimal allegorization, could also be addressed to the kids in the pit. With his voice floating over a crisp hurricane of guitar, Moreno sings, "I get all numb/We're the same numb/And it brings our knees to the earth." It's not subtle, but then it doesn't objectify anybody, and it has a winner of a hook. That...
...pretty awful. But Moreno, like his Dirrty doppelgänger, is perceived as being a cut above his peers, mainly because he can sing and occasionally because he can think. The Deftones' self-titled fourth album has enough of the usual brain-crunching power chords, curdling screams and angst to keep the band's core audience blissfully alienated. Minerva, the first single, is a churning semiballad about a failed relationship that, with minimal allegorization, could also be addressed to the kids in the pit. With his voice floating over a crisp hurricane of guitar, Moreno sings, "I get all numb...
Boomkatalog One panders to Southern Californian middle school audiences. Taryn and Kellin cover all the requisite preteen bases—angst, love and screwy relationships. “Do you think I’m pretty or don’t you / Do you wanna get with me or not?” Taryn croons in her raspy drawl on “Wastin’ My Time.” “Now Understand This” boasts a refrain that sounds like a chorus of kindergarteners on uppers, happily la-la-la-ing their way to hyperactive...