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With the collaboration of Basil Dean, Graham Greene has transformed his novel into an extremely affecting play. Mr. Greene tells a story of Catholic sin and anguish with supreme artistry: he is a master of dialogue and characterization, and, what is more, he blends philosophic ideas and drama with great success. Rogers and Hammerstein, the producers, and Basil Dean, the director, have afforded this adaptation a very skillful production...

Author: By Edmond A. Levy, | Title: THE PLAYGOER | 2/27/1950 | See Source »

...darkness in waves of music"; Kuzma, the priest who feigned madness to help the other prisoners; Korn-felder, the doctor who took care of the sick as if he were still visiting patients in a provincial town. These prisoners were good people, talented people, and in a moment of anguish Kudriavtsev silently asked: "My God, why do I have to lead these damned souls to Hell?" But it never occurred to him that the order he personified was evil...

Author: /time Magazine | Title: Books: Sermon for the Merciless | 1/30/1950 | See Source »

Dressed in black, she began to dance in jerky, spastic movements-in anguish, as the program notes explained, for the besieged Israelites whose water supply had been cut off by Holofernes. When she got ready to visit the confident enemy, she stripped off her black "garments of mourning," decked herself with jewels and sidled forth clad in beige "garments of gladness." Composer Schuman's music took on a sinister cast, Dancer Graham a sinuous, Salome-ish look. The final victory dance, after Judith had whacked off the imaginary Holofernean head, was wildly exultant and percussive...

Author: /time Magazine | Title: Music: Judith with Orchestra | 1/16/1950 | See Source »

...harried commission has made no decision. It will probably make none for many months, and any decision it does make is sure to rouse cries of anguish. If it gives color-telecast permission to CBS, the only outfit with a color system that works well at present, it will offend the manufacturers of black & white sets and their dealers, who are prospering on the status quo, and who fear that any promise of color will make the public stop buying. It will offend many TV station owners, most of whom, now living on hope and money transfusions, dread the greater...

Author: /time Magazine | Title: Radio: Twinkle, Flash & Crawl | 11/28/1949 | See Source »

...movie concentrates so relentlessly on Pinky's personal anguish that it achieves a haunting character portrait. Acting the role with an un-greasepainted face, Jeanne Grain seems like a morbid, almost marbleized Sleeping Beauty, bewitched by her conflict. Director Elia (Gentleman's Agreement) Kazan underlines the impression by having her walk with a dreamy gait, usually against the wind. As Pinky's washerwoman grandmother, Ethel Waters gives a powerful performance...

Author: /time Magazine | Title: The New Pictures, Oct. 10, 1949 | 10/10/1949 | See Source »

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