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Epstein’s modes of expressing his inexplicable anguish over love, age, and the idea of his lover grew increasingly complex. And Scanlan’s directorial decisions—along with John R. Malinowski’s work as scenic environment and lighting designer—impressively reflected this increasing complexity. Not only did he add more elements to the stage, but he also infinitely increased the scope and reach of the artist. By introducing a camera onto the stage, the artist (and Beckett himself) was finally able to convey the process of communicating...

Author: By Juli Min, CRIMSON STAFF WRITER | Title: ‘Beckett at 100’ Still Going Strong | 11/18/2007 | See Source »

...tree erupting in a ball of flame summed up Californians' frustration and helplessness. The Dantesque orange glow bathing the entire scene imparted a netherworld aura to the image and gave me the uncomfortable feeling that there was no escape. I was arrested by a stark sense of the anguish and loss that those fires caused but even more by the primal insecurities that are aroused whenever we confront such unpredictability in nature. That was one of the best covers TIME has ever produced. Kenneth E. Kilpatrick, Northville, Mich...

Author: /time Magazine | Title: Inbox | 11/15/2007 | See Source »

...stranger to the strained family dynamic. In his 2005 directorial debut, “The Squid and the Whale,” which he also wrote, Baumbach dealt with the crisis of a looming divorce and the repercussions it had for two young brothers. The film’s anguish rang true in large part because the script was semi-autobiographical for Baumbach; amidst all the emotional turmoil, what survived was the fragile beauty of boyhood innocence. “Margot at the Wedding,” Baumbach’s second feature, retreads much of the emotional territory...

Author: By Ryan J. Meehan, CONTRIBUTING WRITER | Title: Margot at the Wedding | 11/15/2007 | See Source »

...tree erupting in a ball of flame summed up Californians' frustration and helplessness. The Dantesque orange glow bathing the entire scene imparted a netherworld aura to the image and gave me the uncomfortable feeling that there was no escape. I was arrested by a stark sense of the anguish and loss that those fires caused but even more by the primal insecurities that are aroused whenever we confront such unpredictability in nature. That was one of the best covers TIME has ever produced. Kenneth E. Kilpatrick, NORTHVILLE, MICH...

Author: /time Magazine | Title: Wildfires of the West | 11/14/2007 | See Source »

...continent of sin, the dump for English criminals. Australians, unlike Americans, have never felt they had a mission or a message for a fallen world. There is no doctrine of Australian exceptionalism. If this deprived us of the heights of American moral expectation, it spared us from the anguish of American disappointment. Not a bad trade...

Author: /time Magazine | Title: The Real Australia | 11/14/2007 | See Source »

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