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...completely insipid Picassos that exist. As the marriage disintegrated, the great figure paintings and still lifes (31, 36, 37) began alternating with a sequence of brutally distorted female heads. Woman's Head and Self-Portrait, 1929 (38) is nothing less than a pictorial act of revenge: the savage, angular profile of Olga, with its chisel teeth and spike tongue about to devour the undistorted silhouette of Picasso's own profile. Its delirium is prolonged, in a different way, in the Surrealist beach scenes at Dinard, like Bather Playing with a Ball, 1932 (39), populated by elephantine, grotesque...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...with the men's tour. "We had a mixed-foursome tournament a few years ago," she says, "and the men decided they didn't want us." Now she says that the L.P.G.A. doesn't need to romance the men golfers -the pros, that is. A tall, angular Texan who averages 235 yds. off the tee and putts like a pool shark, Kathy contends that "the amateur male golfer can learn by watching the girls swing because his game compares with ours...

Author: /time Magazine | Title: Sport: Whoopee for the Proettes | 6/28/1971 | See Source »

Mather House is the future. Stone cold, fluorescent, angular, it juts into our eyes like a stiletto from the next century. Its proportions are so gargantuan that even an unwilling observer is thrown into the role of a tiny mannequin in an architect's scale model. The low-rise section has the sinuousness and personality of a granite python, and the tower rises mute like an Aztec altar. Some people claim that architecture like this requires a new grammar of response; I think instead that Mather House almost demands that we abandon our way of seeing...

Author: NO WRITER ATTRIBUTED | Title: Slouching Toward Alphaville | 6/17/1971 | See Source »

...Marcia Haydée, 5 ft. 3 in., in her pre-Stuttgart days-at London's Royal Ballet School and later as a disconsolate member of the Marquis de Cuevas Ballet -weighed 138 pounds and was known as "the fat Brazilian." Today, at 100 pounds, she has an angular, spindly body that, in repose, sometimes suggests a Mary Poppins more than a Carmen or a Kate. But in motion she ranks among the world's top ballerinas. She is also, certainly, one of the world's most effective dramatic actresses, a master of body language who sometimes...

Author: /time Magazine | Title: Dance: Goyas and Dolls | 5/10/1971 | See Source »

...Playroom," it suggests mystery and romance, foreboding and longing. Especially admirable for its command of intent, the print is reminiscent, in the swift and clawing strokes winding around the woman's body, of certain German expressionists in its boldness and control. Heidi Pape's etching, composed of related, textured, angular and soft-cornered forms hovering and melting together, yields an impression of soft, lithe melancholy...

Author: By Gwen Kinkead, | Title: Student Art H-R Art Forum through May 2 at the Fogg | 4/30/1971 | See Source »

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