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...picture" painters of houses, landscapes, and boat yards. Sgouros' most impressive quality is his technical ability. He knows enough to put a color down and leave it, making it mean something the first time. The tendency toward abstraction in "Highland Light," where an interesting tension is created by bold angular composition, is an important development in Sgouros' work...

Author: By Lowell J. Rubin, | Title: Cambridge Watercolors | 11/12/1955 | See Source »

...Lake Huron's rocky northern rim, where the Canadian Pacific railroad and the Trans-Canada Highway skirt the jack pine forest, blue smoke from smoldering brush fires hangs lazily in the hot, still air. In a raw new clearing the bright steel of a mine headframe cuts an angular pattern against the sky. From the smooth blacktop highway trucks laden with lumber and machinery waddle off toward mine sites deep in the bush. A scattered army of engineers, diamond drillers, airplane pilots, and hardrock miners is turning 900 square miles of lake-pocked wilderness into a billion-dollar empire...

Author: /time Magazine | Title: CANADA: Billion-Dollar Empire | 8/1/1955 | See Source »

...technique. "Allo, Joe, it's meee-ee," she coos. A second later she is up and mincing forward as purposefully pigeon-toed as Betty Boop. Along the line two gloves and a skirt fly off; then, as suddenly sultry as the sirocco, Lola wheels to flaunt the angular arabesques of Theda Bara, flicks a shapely backside at her prey, slides out of a pair of lace panties, and departs northward to bump and grind in the old-fashioned tradition of burlesque. Pleased and bewildered, Ballplayer Joe sits happily helpless through it all, and in the end goes back...

Author: /time Magazine | Title: Theater: The Devil's Disciple | 6/13/1955 | See Source »

...sound of slippered feet from within, and an aide comes to attention: "The President." The man who steps onto the veranda is all in black-black skullcap, black Chinese gown, black felt slippers. As the President of Nationalist China stands bowing and smiling politely, the visitor notices the thin, angular face and skull, to which the years of adversity and self-discipline have given a sculptural distinction. It might be the head and face of a monk. He waves his visitor to a sofa, then takes a straight chair beside him. Barking his comments at the interpreter in his staccato...

Author: /time Magazine | Title: FORMOSA: Man of the Single Truth | 4/18/1955 | See Source »

...wren of a man, long-haired and sharp-beaked, Mann was as pithy and angular in speech and gesture as in his paintings. He never cottoned to the art of his contemporaries, went his own way slowly. At about 40 he hit his peak, and never came down from it. The last half of Marin's life was mounting triumph. He divided it between New Jersey winters and Maine coast summers (except for two excursions to New Mexico), devoted it to painting pictures that were not so much windows on nature as calculated explosions of sea, sun and open...

Author: /time Magazine | Title: Art: EXPLOSIONS OF SEA & SUN | 3/21/1955 | See Source »

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