Word: angularities
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Dates: during 1970-1979
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...Rauschenberg is immensely outgoing," says Hughes, "just as his art is. His mind works in angular ways, full of ricochets and inventions." Hughes quickly discovered that structured interviews were not the best way to explore Rauschenberg's multifaceted personality and past. The artist supplied his own approach. He took out catalogues containing his extensive collections of art memorabilia and souvenirs; as he turned the pages, he talked. "The art of the '70s," Hughes notes, "is eclectic: video, earthworks, landscape and straight painting are all part of it. Rauschenberg has done an extraordinary number of things with his life...
Tracing Routes. It all makes a sort of angular La Ronde, a slightly cynical, increasingly desperate comedy. For all the interrelationships and coincidences, none of the people here can make connection with one another. Some, like Karen Hood, have even given up trying. She spends her days attending matinees in empty movie theaters, or cruising around in taxis, keeping careful record of their numbers and tracing their routes...
...King Henry VIII in Director Richard Fleischer's film The Prince and the Pauper. The actor needed plastic in his makeup plus padding on his body to effect the appropriate regal bearing. "My eyes are deep set; his were close to the surface," observed Heston. "My face is angular; his was square. My mouth is large; his was small. My nose is angular and broken; his was square and short." The makeup worked just fine in the end, noted the actor, "but we really had a great deal of distance...
...honored Eileen Atkins, making her AST debut. Mis Atkins is no stranger to the part, having played it (in bluejeans) back home with the Royal Shakespeare Company three years ago. She is still young enough for the role, though she is not so pretty as one would like. Her angular face is no insuperable drawback, however, since she spends most of the play disguised as a curly-headed Ganymede in a riding outfit...
...century career have been the past decade, when he has designed all of Hal Prince's musicals from Cabaret to Pacific Overtures. To see his work is like seeing the graph of a sensitive mind in motion. His perception of Company: "Movement in New York is vertical, horizontal, angular, never casual. In Versailles, you bow; in New York, you dodge cabs. Finally, I conceived a set that was basically a gymnasium for acting...