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...music of my people." Opening the Philadelphia program with The Times They Are AChangin, she made Bob Dylan's classic folk tune sound like a revivalist hymn; yet she never lost any of its satiric bite. At the Metropolitan, Langston Hughes' Backlash Blues had an angular, hard-rock quality that pointed up its bitter message: "Do you think that all colored people are just second-class fools? /Mr. Backlash, I'm gonna leave you with the blues." Billy Taylor's / Wish I Knew was hand-clapping gospel at its best. Sample lyric: / wish. I knew...

Author: /time Magazine | Title: Singers: More than an Entertainer | 2/21/1969 | See Source »

...Stone aside, there is more talent in Sweet Charity than any other musical film around. Most astounding, perhaps, is Fosse, who makes his directorial debut with this film. As a Broadway choreographer, Fosse has been one of the outstanding conceptualists, blending his distinctive angular vision of the human form with the demands of a specific show. (His peak probably was How to Succeed, in which he transformed his chorus line into a human typewriter.) In Charity, Fosse manages to capture his dancers' frenetic contortions while never allowing the big numbers to crowd the actors off the screen. He also...

Author: By Frank Rich, | Title: Sweet Charity | 2/15/1969 | See Source »

...color. He also turned to pastels for sketching, and experimented with powdered colors. Success came early and easy, but it frightened him. "I must look out," he said. "Well-meaning patrons may disturb my routine." By 1914, however, the spotlight had shifted from post-impressionism to the angry, angular new vision of fauves and cubists. Vuillard stopped exhibiting and retreated into nearly three decades of private work. Only in 1938, two years before his death, did he break his self-imposed withdrawal and consent to a large Paris exhibition...

Author: /time Magazine | Title: Painting: The Quiet Observer | 8/23/1968 | See Source »

...works, however discontinuous the pattern is chronologically or by school. For instance, all portraits are combined in one small galery and geometric and cubist styles of all kinds are grouped in another. Dissimilarities are exploited as well. For example in the juxtaposition of Nicholaes de Stael's violent, angular Reclining Blue Nude on a Red Background and Jean Fautrier's The Gentle Woman, which is cool, liquid, and soft as an oyster...

Author: By Betsy Nadas, | Title: Painting in France 1900-1967 | 6/10/1968 | See Source »

...memory, meditation, myth and the male-female relationship. She successfully blended them all at the beginning of her 21-week Manhattan season in a new work called A Time of Snow, a somber retelling of the love and tragedy of Heloise and Abelard. The Graham dancers embraced the angular and knotty choreography with the familiar and loving assurance of craftsmen bred for their task...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

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