Word: anhalter
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Dates: during 1960-1969
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Passed over for the job of court conductor at Weimar, Bach landed a similar position with Prince Leopold of Anhalt-Cothen; the defection so angered Duke Wilhelm that Bach was clapped in the Weimar jail for a month. Once he arrived at Cothen, Bach devoted five placid, productive years to superb keyboard and chamber pieces, including the French Suites for harpsichord, the unaccompanied music for cello and violin, and the six Brandenburg Concertos. This period is usually labeled Bach's secular phase, though he was not fussy about the distinction between sacred and secular. Bach often borrowed from...
Actually, much of this medium-mixing has been going on for several years, but Expo has presented these experiments to their first mass audience. According to Professor Istvan Anhalt, director of the electronic studio at Montreal's McGill University, where some of Expo's music was created, Expo's relationship to electronic music is comparable to the partnership between medieval cathedrals and the music that was created for them. The novelty today, says Anhalt, is that the audience can walk around and "be enveloped by the sound...
...will get me out of this filth one day. He is a God of mercy, dressed all in white and sitting on a golden throne." A Dutch charwoman says: "God is a ghost floating in space." Screenwriter Edward Anhalt (Becket) says that "God is an infantile fantasy, which was necessary when men did not understand what lightning was. God is a cop-out." A Greek janitor thinks that God is "like a fiery flame, so white that it can blind you." "God is all that I cannot understand," says a Roman seminarian. A Boston scientist describes God as "the totality...
Crack Up the Cars. Anhalt has since turned out two scripts for Elvis Presley, a Western, two comedies (Wives and Lovers and Boeing, Boeing) and, for Paramount, Affair in Arcady ("I call it an original because the novel was about a Chicago gangster turned Virginia farmer and the screenplay was about the late dictator of Iraq, Kassem"). He has just completed a TV script, A Time for Killing, with George C. Scott (Bob Hope Chrysler Theater, April 30), and is working on The Cruel Sport, a screen script about "the morality of Grand Prix racing...
...keep the ideas flowing and allow himself time for second thoughts requires split-second scheduling, and Anhalt has taken to dictating to himself into a tiny microphone clipped onto the lapel of his jacket and picked up by a transistorized tape recorder at his side as he tears along the superhighways in his cream-colored Lancia. The process has caused Anhalt to crack up three cars in the past two years. But the price is cheap. For Hollywood's busy scriptwriter, just another tax deduction...