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...will get me out of this filth one day. He is a God of mercy, dressed all in white and sitting on a golden throne." A Dutch charwoman says: "God is a ghost floating in space." Screenwriter Edward Anhalt (Becket) says that "God is an infantile fantasy, which was necessary when men did not understand what lightning was. God is a cop-out." A Greek janitor thinks that God is "like a fiery flame, so white that it can blind you." "God is all that I cannot understand," says a Roman seminarian. A Boston scientist describes God as "the totality...

Author: /time Magazine | Title: Theology: Toward a Hidden God | 4/8/1966 | See Source »

Tear Off the Binding. Anhalt and his wife split up after finishing The Pride and the Passion. But on his own, the talented wordsmith has stayed in constant demand. He finished The Young Lions ("by actual account, it was the fourteenth attempt by nine writers"), struck out on Walter Wanger's Cleopatra after nine days, but made good with Not as a Stranger, an almost textbook example of Anhalt's method...

Author: /time Magazine | Title: Show Business: Life of a Wordsmith | 4/16/1965 | See Source »

...original novel, by Morton Thompson, is 948 pages, too long for even Anhalt to memorize. Instead, he read the book three or four times, then ripped off the binding; "I would take those pages which gave me a jazz-for any reason-and tack them up on the wall. I ended up with perhaps 100 pages which excited me. Then I would thread my continuity between that excitement, frequently changing the general moral tone of the book, or its purpose, to fit that excitement...

Author: /time Magazine | Title: Show Business: Life of a Wordsmith | 4/16/1965 | See Source »

Crack Up the Cars. Anhalt has since turned out two scripts for Elvis Presley, a Western, two comedies (Wives and Lovers and Boeing, Boeing) and, for Paramount, Affair in Arcady ("I call it an original because the novel was about a Chicago gangster turned Virginia farmer and the screenplay was about the late dictator of Iraq, Kassem"). He has just completed a TV script, A Time for Killing, with George C. Scott (Bob Hope Chrysler Theater, April 30), and is working on The Cruel Sport, a screen script about "the morality of Grand Prix racing...

Author: /time Magazine | Title: Show Business: Life of a Wordsmith | 4/16/1965 | See Source »

...keep the ideas flowing and allow himself time for second thoughts requires split-second scheduling, and Anhalt has taken to dictating to himself into a tiny microphone clipped onto the lapel of his jacket and picked up by a transistorized tape recorder at his side as he tears along the superhighways in his cream-colored Lancia. The process has caused Anhalt to crack up three cars in the past two years. But the price is cheap. For Hollywood's busy scriptwriter, just another tax deduction...

Author: /time Magazine | Title: Show Business: Life of a Wordsmith | 4/16/1965 | See Source »

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