Word: animas
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Dates: during 1930-1939
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...patient believed he was irreligious, but Dr. Jung knew better. The dream of the mosquelike church (preceded and followed by equally revealing dream-imagery) demonstrated an inner approval of the Church coupled with a pagan point of view, to which the woman, "a very important minority"-the anima or feminine side of the man's unconscious-makes vigorous objection. In a subsequent climax-dream the patient felt an "impression of the most sublime harmony," which marked the turning point of his psychological development or, in terms of religion, his conversion. This dream, a vision of what the patient called...
...people in groups of four tended to appear in all his dreams. Only the Christian symbol of the Trinity fails to conform to this system of fours, and Dr. Jung believes that the unconscious mind therefore tends to augment it with a fourth element. This is probably woman-the anima, or earth mother; although Dr. Jung points out that the element of evil, or the devil, is also excluded from the God-symbol, in which it might logically take part. At this point Dr. Jung excuses himself, declaring: "The church, I assume, has to invalidate any attempt at taking such...
...opera house for 27 seasons. In Der Rosenkavalier she is a Viennese lady, handsome in bouffant black. In Lohengrin she is a bewigged wedding guest. In Mignon she gets a laugh, mincing along with a bird cage. In Carmen she wanders backstage selling papier-mache pumpkins. In L'Anima Allegro, she was a pipe-smoking gypsy crone (see cut). In Tannhauser few years ago she substituted for Maria Jeritza as the corpse of Elizabeth, because that strapping diva dreaded being carried down a stage mountain on a small bier. And in dozens of other operas "Maman" Maria Savage...
...Lombardi, Qualvolutta trascorrere and Attila, Te sol quest anima by Soprano Elisabeth Rethberg, Tenor Beniamino Gigli, Basso Ezio Pinza (Victor, $2.50)- A famed Metropolitan line-up sings early, rarely-heard Verdi...
...Rethberg, Tenors Edward Johnson and Giovanni Martinelli, Basso Leon Rothier. Again its conductors are Gennaro Papi and Louis Hasselmans, its chief dancer Ruth Page. Again the orchestra is taken from the Chicago Symphony. The repertoire will be chosen from 40 or more operas. New this year: Vittadini's Anima Allegra to be given with Bori, Smetana's The Bartered Bride with Rethberg, Meyerbeer's Les Huguenots with Soprano Yvonne Gall, leading soprano of the Paris Opera...