Word: anjelica
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...good work and the unembarrassed politicking have paid off handsomely. Now, from a vantage point at the top of that ladder, Nicholson can settle in. Los Angeles is home base, where he lives with Anjelica Huston, daughter of Director John Huston (a co-star in Chinatown). From there, he and Anjelica, whom he calls Tootman, make frequent lavish forays to New York and Paris, where there are good shops, restaurants and many friends, and to Switzerland, where he likes...
Like many suddenly rich people, Jack's attitude toward money swivels wildly. Anjelica just got a Mercedes for her 23rd birthday. According to Mike Nichols, Nicholson always has "several thousand bucks out" to help friends over some rough spots. But Roman Polanski says that at other times Nicholson is "stingier than W.C. Fields." Once at Maxim's, Nicholson fought for and won the $600 check. When he found that one of his dinner companions could have taken care of the bill as a business expense, he was miserable...
Ever careful of possessions, he once called Anjelica in London from Rome to ask: "I can't find my comb. Did you pack it?" She found it and, much relieved, he responded long-distance, "O.K., take care of it for me." He is sometimes subject to gusty emotions. Friends say he has cried when seeing them off at airports. He calls back home to Rain every Christmas to get the traditional family recipes...
...belly dancer and recovering from two bad marriages when Nicholson took her home with him one night, said, "Pick yourself a bedroom," and welcomed her simply as a friend. Now she lives next door, and has run Jack's household through the romances with Mimi, Michelle and Anjelica. "Jack once said to me, 'Helena, look, I have very aristocratic feet.' So I say of him he has the feet of an aristocrat and the body of a peasant. He has traveled with kings and knaves, and sees no difference between them...
Gypsies, vassals, whoremasters. mummers and murderers await Heron at every turn of the road. Each encounter teaches Heron something new. It is when Heron meets Claudia (Anjelica Huston), the doe-eyed daughter of a benign monarch, that he begins to grow to manhood with a fearful swiftness. He protects Claudia when the peasants sack her father's domain. The peasants are exceeding wroth. Heron and Claudia flee. But no man will give them refuge. They have only the shelter of their hearts. Perhaps it is the wind in the trees, but it surely sounds as if Heron, much...