Word: anna
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Dates: during 1980-1989
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Columbia's only bright spots were Anna Martens and Julie Black. Martens captured the 200-yard individual medley and the 100-yard backstroke. Black won both diving events, out-dueling Harvard freshman Julie Pawlak...
...bright spot for Anna among all this mordancy is Catalina, a Spanish girl who works at the hotel and who seems to take special care with the flowers she arranges in Anna's room each morning. Before long, Anna has become obsessed with this young woman: "In the evenings when I had a drink or two I would allow myself to think of her, as I might a painting or a beautiful garden. I would dwell on her body the way I never allowed myself to dwell on my own, exploring it with invisible hands, invisible eyes, touching her tentatively...
...High Road seems on the verge of becoming a distaff Death in Venice, with another cerebral outsider succumbing to forbidden passion for an enchanting youth. But O'Brien does not bring to this situation any of the doomed morbidity that hovers over Thomas Mann's tale. For one thing, Anna is much too brisk and sensible to believe herself trapped by any fate. And the physical world of the Spanish seacoast is too astonishing to allow prolonged brooding. Remembering misty Ireland and rainy London, Anna is constantly dazzled by the light: "The sun blazed and emphasized everything, sugar crumbs...
...Silvia Castaeda Contreras, Barbara Collier, Kenneth Collura, Barbara Dudley Davis, Julia Van Buren Dickey, Osmar Escalona, Dora Fairchild, Evelyn Hannon, Garry Hearne, Nora Jupiter, Judith Kales, Sharon Kapnick, Kevin Kelly, Claire Knopf, Agustin Lamboy, Gyavira Lasana, Jeannine Laverty, Marcia L. Love, Janet L. Lugo, Peter J. McGullam, Sandra Maupin, Anna F. Monardo, Peter K. Niceberg, Linda Parker, Maria A. Paul, Lois Rubenstein, Judy Sandra, Elyse Segelken, Michael Skinner, Terry Stoller, Lamarr Tsufura, Maitena Z. Viani, Jill Ward, Amelia Weiss, William Yusavage...
...make, under pressure of conflicting emotions, what seems to you only a minor error in judgment, and suddenly your child is snatched from you. For Lindy Chamberlain (Meryl Streep) in A Cry in the Dark, the loss is permanent: she never sees her baby again, alive or dead. For Anna Dunlap (Diane Keaton) in The Good Mother, the outcome is not quite so cruel: she faces losing custody of her daughter Molly, but not the child's death. Yet both mothers find themselves in court, desperately defending themselves against society's determination to misunderstand their motives, to turn tormented consciences...