Word: annas
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Dates: during 1950-1959
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Hardly on a par with other Italian imports, Anna is entertaining mainly as a vehicle for Silvana Mangano's sensuous talents. Faced with a wellworn plot and a superinposed sound track, Mangano overcomes, both, and alternatey slinks and strides her way to a fine performance...
Fortunately, Anna does put a few new twists in the story of bad girl turned nun. With the Italian brand of striking realism, the tensions of an operating room are exceptionally vivid. And Anna's song and dance in a disreputable night club is as sultry as any I have seen...
Billed as "Hollywood's newest heartthrob," hawk-faced Vittorio Gassman makes himself thoroughly despicable as Anna's chief debaucher. Raf Valone is the straight man who loves Anna for something besides the obvious. Jaques Dumesnil, playing an elderly surgeon-philosopher, and Patrizia Mangano, Silvana's sister, fill out a competent cast. Written by Nino Rota, the music smooths over some rough spots in the plot and dialogue, effectively supplementing the film's emotional crises...
...spangled, two-hour film concert featuring the famed clients, past & present, of famed Impresario S. (for Sol) Hurok. The picture offers such flesh & blood talents as Tamara Toumanova, Isaac Stern, Roberta Peters, and the sound-track voice of Jan Peerce. It also fondly recalls such historic Hurok clients as Anna Pavlova. Eugéne Ysaÿe and Feodor Chaliapin...
Tonight We Sing is at its slickly Technicolored best when it makes music. As Russian Ballerina Anna Pavlova, Toumanova dances the famed Dying Swan. As noted Belgian Violinist Eugéne Ysaÿe, Isaac Stern plays a Wieniawski Concerto and Sarasate's Ziegeunerweisen. As Basso Feodor Chaliapin, Ezio Pinza, in a blond wig, swaggers off with the show by giving a lustily humorous performance and singing snatches from Mussorgsky's Boris Godunov, Gounod's Faust, and a chorus of The Volga Boatman. These latter-day artists offer an earnest approximation of the originals. David Wayne, using...