Word: annelies
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Dates: during 1970-1979
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...Orthodontist Richard Paulson, 39, lives with his wife Betty Ann and two daughters in the Minneapolis suburb of Golden Valley. In the woods behind his large rambling house, Paulson likes to take his children walking to see woodchucks, mallards, chipmunks and an occasional fox. They feed pheasant on their lawn. The Paulsons attend church ten minutes away in downtown Minneapolis, and in the summers vacation on the thickly wooded shores of sparkling, uncrowded Gull Lake, 2½ hours north of the Twin Cities. "I feel fortunate," says Paulson, "that we can still taste the things that 50 years ago people took...
Wayne E. Thompson, a transplanted Californian, is now a senior vice president of Dayton Hudson Corp., one of the Midwest's largest retailers. Says his wife Ann: "People are so nice here that for a while I thought they were putting me on. I would call the plumber or the electrician, and my problem became his problem. I found that hard to believe." Sometimes the slower Minnesota pace irritates Thompson: "When I get frustrated because a project isn't moving fast enough, I am tempted to bring in someone from the outside, a heavy." But he's never done...
Carnal Knowledge. 1971 directed by Mike Nichols, starring Arthur Garfunkel with a paunch, Candice Bergen in the role of Smith graduated suburban housewife that she was made for, Jack Nicholson throwing maybe his best tantrum ever, Ann-Margaret living-in big-breasted. Filmed with a cold slickness that spells out the soullessness of middle-class sex. Abbey 9:30, Plaza...
Carnal Knowledge. 1971 directed by Mike Nichols, starring Arthur Garfunkel with a paunch, Candice Bergen in the role of Smith graduated suburban housewife that she was made for, Jack Nicholson throwing maybe his best tantrum ever, Ann-Margaret living-in big-breasted. Filmed with a cold slickness that spells out the soullessness of middle class sex. Abbey 9:30, Plaza...
Warren Oates is a fine Dillinger as far as the script will allow, which isn't very far. He even looks a little like Bogart in several scenes, especially in a jail sequence where you expect. Ann Sheridan to visit him any second with a nailfile baked in a pie. The rest of the cast is excellent, and everyone has a terrific American southwest accent. The only disappointment is Michelle Phillips as Billie Frechette, who manages to look like both Faye Dunaway and Ali McGraw, the new gun molls of the '70s (Eecch!). Her acting regrettably takes faithfully after...