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...contract -- until, inexplicably, he balks at taking a medical exam required by the network. Panicked by his agent's reassurances that he's only scared of success, Corky flees with Fats to the Catskills, where he grew up, partly to reminisce and partly to look up Peggy Ann (Ann-Margret), the girl he worshipped from afar in high school. He still loves her; her husband is on a "quick business trip" due to personal problems, and before you can say "abracadabra" the bed sheets start heaving. The only problem is that Fats, who has grown quite talkative, feels a little...

Author: By Troy Segal, | Title: Edgar Bergen Is Still Dead | 11/22/1978 | See Source »

...Corky's agent (called the Postman because he always delivers), Burgess Meredith adds a few Yiddish mannerisms to his trainer role in Rocky. Despite the film's effort to stifle Ann-Margret under bulky sweaters, her performance as Peggy Ann shines with just the right mixture of warmth and wistfulness. Hopkins and she play well together, both...

Author: By Troy Segal, | Title: Edgar Bergen Is Still Dead | 11/22/1978 | See Source »

...Ann B. Spence, Associate Dean of the College, said she did not think any funds for current operation of the Houses came from alumni gifts. She added that College funds are distributed to Houses on a per capita basis...

Author: By Amy R. Gutman, | Title: Quad Students Are Pressured To Pay Their 'Optional' Dues | 11/17/1978 | See Source »

...walks through Lowell and people stop him on the street, wave at him from their cars--he knows their names. Our group crosses a footbridge and is slowed down by a guest appearance. There is a little girl, Texas-blond and puppy-dog eyes. Melanie Ann Brockington is the national poster child for the 1979 March of Dimes. "Although Melanie is paralyzed from the waist down, she walks well with the aid of leg braces and crutches. Like many girls of her age--eight--Melanie is a lively, independent youngster who enjoys dancing, playing with her numerous friends, reading...

Author: By Robert O. Boorstin, | Title: 'It Doesn't Stop in the Living Room' | 11/6/1978 | See Source »

...central to the show. Marylou Ledden plays the part with sense--she catches the world-weariness in Brecht better than anyone else in the cast. But her inadequate singing must be the reason the director, Harvey Seifter, gives Jenny's big number, "Pirate Jenny," to Polly Peachum (Ann Titolo) instead. Well, directors have taken liberties with this script before, and Titolo sings the old favorite with spirit; but Jenny without her touching, spine-chilling "dreams of a kitchen maid," becomes just another plot-moving character...

Author: By Scott A. Rosenberg, | Title: Threepennys Worth--Barely | 10/28/1978 | See Source »

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