Word: annexation
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...door, a parting affirmation of the human spirit. But it worked only if you didn't think too hard about what happened to the characters in real life. Anne and the seven family members and friends who spent two years hiding from the Nazis in a secret annex above an Amsterdam warehouse were herded off to concentration camps, where all but one of them--Anne's father Otto--perished...
Though her family was not as prominent as the Capanos, it was just as well known around Wilmington. Their worlds melded at O'Friel's Irish Pub, where yellow ribbons and a "Friends of Anne Marie" banner now hang. Nicknamed "The Attorney General's Annex Office," O'Friel's is also a place where all five of Fahey's siblings have been employed. It is there that they congregated after Capano's arrest, eating a quiet dinner upstairs. Says O'Friel's owner Kevin Freel: "We sat and talked, and we cried." Fahey, Freel says, left an indelible impression...
...otherwise dour proceedings, while providing a kind of insider's guide to the marriage. At the same time, though, even Kurshan acquires a police-witness-feel in her casual chat with a gumshoe Hyman. Young Lee '99, as Phillip's boss whose pet project is adding a spiffy annex to the New York Harvard Club, reaches similar comic heights with dead-on self-importance but, too, flounders when trying to tap into the play's underlying texture...
...play, like the diary, is not a unilaterally depressing work. The Frank family shares their hiding space, the top floors of the annex to an office building in Amsterdam, with Mr. and Mrs. Van Daan, the Van Daan's son Peter and Mr. Dussel, a dentist. Although the interaction of these characters in their tight, closed world causes a good deal of tension, there is an overarching spirit of generosity: at no time are they all reduced to despair. The eight members of this group form a loose extended family, and the most touching scenes are those that show...
...first, her desire to show Anne as a young and bubbly teenager comes across as a bit overeager: she doesn't sit still for a moment, and her frantic pacing and leg--swinging doesn't seem fully believable. But once Anne begins to spend more time in the annex--maturing emotionally, interacting with her family and developing a crush on Peter Van Daan--Portman's performance becomes more balanced and subtle. By the time the play ends and the family is taken away by the Gestapo, her Anne has evolved into a complex teenager, playful yet strong, making her loss...