Word: annigoni
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...Prince Charles Necessary?" cover (June 27, 1969). The brooding poet Robert Lowell is given a crayoned zigzag crown of laurels by Sidney Nolan (June 2, 1967), while Boris Artzybasheff painted a blue-faced underwater Jacques Cousteau (March 28, 1960). Among the other artists in the show: Pietro Annigoni, Bernard Buffet, René Bouché and Peter Hurd...
...covers also represent nearly every conceivable art form-painting in oil and watercolor, drawing, photography, sculpture, woodcut, collage, even needlepoint. The prominent contributors over the decades include Painters Pietro Annigoni, Boris Artzybasheff, Boris Chaliapin, Dong Kingman, Henry Koerner, Peter Max, Andy Warhol, Grant Wood and Andrew Wyeth; Cartoonists Herblock, Bill Mauldin, Patrick Oliphant, Charles Schulz and James Thurber; Sculptors Robert Berks and Marisol. Among the hosts of the Los Angeles exhibit will be Glessmann and Associate Publisher Ralph Davidson...
...California gubernatorial race; and "I doubt Spiro Agnew will serve his full time in office." . . . She looked more like a heroine of the Bolshevik Revolution than the reigning monarch of Britain. But it was Queen Elizabeth II all right-facial blemishes and all-who stood so sternly in Pietro Annigoni's new portrait. Said the Italian artist, who painted a much more flattering portrait of the Queen 15 years ago: "People change over 15 years, and the Queen is no exception." The Queen's comment, according to Annigoni: "She told me it looked better varnished." . . . The house lights...
...events-or had as much power to influence them. That is why Lyndon Johnson is on the cover of TIME this week. His and the nation's period of hope and trial is reflected in the cover portrait, which was drawn from life by Italy's Pietro Annigoni...
...really do not need against the day they might. Nor is featherbedding unknown in board rooms. In The Suicide of a Nation?, Writer and Critic Goronwy Rees reported attending a regular directors' meeting of an engineering company outside London. "The office was richly furnished with thick carpets, an Annigoni painting, and extremely expensive antique furniture. Deliberations were sweetened by drafts of gin and tonic drunk out of beakers of cut glass. The discussion followed no conceivably rational pattern; a large part of it was taken up by the sales director's amatory reminiscences of the world capitals...