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...education of the kittens includes a comical first swimming lesson and a violent illustration of how to annoy a cayman (South American crocodilian). As the kits watch, the mother creeps up, whacks the tail of an enormous cayman, then darts back as it lunges for her. The game continues until the male jaguar takes over, feints past the cayman's jaws, gets a death grip and drowns the reptile. The jaguars lose no battles, although their prey sometimes escapes. Working singly or as a team, they kill a snorting peccary (wild pig) and a huge boa constrictor, and frighten...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 22, 1960 | 8/22/1960 | See Source »

...newspapers, railroad maps, timetables, string, bottle caps, photographs-to assemble collages (see color) that were a twitting comment on bourgeois life and an already demolished world. To Schwitters a canceled imperial postage stamp represented the collapse of the Hohenzollerns. Schwitters' collages were not meant merely to shock, annoy, puzzle or defy the conventions of society. "What we are expressing in our work," he once said, "is neither idiocy nor subjective play, but the expression of our time as dictated by the time itself...

Author: /time Magazine | Title: Art: BIG DADA | 8/15/1960 | See Source »

Bilko & Como. BBC, after all, was ahead of the U.S. in beginning public television back in 1936. But BBC's drawback in program making has always been, in the words of one English critic, its automatic recoil from "any program that will seriously annoy the Church of England, the Royal Family, the three services, the British Medical Association or the Law Society." It enjoyed a monopoly in British radio broadcasting for 33 years, during which its Oxford-accented air of uplift earned the BBC the fond, but not too fond, nickname "Auntie." Five years ago, along came commercial...

Author: /time Magazine | Title: BUSINESS ABROAD: Auntie Steps Out | 7/11/1960 | See Source »

Although these second and third thoughts annoy pigeonholing critics, Auden's revisions are one sign that he takes his poetry seriously-and knows that it is influential. Even more than T. S. Eliot, he is responsible for the unfettered, almost conversational tone that makes modern poetry sound modern. His manner has always been topical, chatty, a bit brash, unfailingly poised, only rarely lyrical. Above all, Auden's work suggests that there is nothing a poet cannot write poetry about, and most young poets since the early '30s have borrowed his air of verbal freedom. With...

Author: /time Magazine | Title: Books: Beyond the Age of Anxiety | 5/30/1960 | See Source »

...supported Kennedy along with Galbraith and three others. Brinton framed the major issue of the times as: "orthodox or 'classical' economics, and what I'll call Keynesian or Galbraithian economics: . . . whether we are to let our present methods of production and distribution produce the kind of consumers' goods that annoy the intellectuals, or whether we will tamper politically so as to produce education, housing, hospitals, public transportation, which people ought to want...

Author: NO WRITER ATTRIBUTED | Title: Galbraith Picks Kennedy In Recent 'Esquire' Poll | 12/17/1959 | See Source »

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