Word: anouk
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Another talked-about film was Un Homme et Une Femme, a modest story of a simple love affair between a young widow (Anouk Aimée) and a racing-car driver (Jean-Louis Trintignant). New Wave Director Claude Lelouch, 28, shot the picture in four weeks, at one point had himself strapped with his camera to the hood of a speeding car to get realistic footage of the races. The crusty critics even applauded during the showing, rated the film as an homme-dinger, a top contender for the festival's first prize, the Golden Palm...
...Fuga. Any electricity generated by this low-voltage Italian drama can be traced to Anouk Aimée, playing an interior decorator who is more beautiful than most, and more manly too. Anouk's boldest designs are reserved for Giovanna Ralli, a newer exotic, who smartly assumes the attitudes of a neurotic young matron beset by conventional woes. Her parents are a wretchedly selfish pair; she cannot concentrate on raising her young son; and her physicist husband is so preoccupied with the mysteries of nuclear fission that he seldom wonders what his wife thinks. Giovanna consults an analyst...
...Successo. At 38, Giulio considers himself a flop. He is a college graduate, a good-looking loser employed by a real estate firm in a job he describes as "unemployment on the executive level." A comfortable apartment, a beautiful working wife (Anouk Aimee) and a faithful friend (Jean-Louis Trintignant) cannot change his status as one of the lesser people at Rome's better parties. Other men drive up in Maseratis and Jaguars; Giulio (Vittorio Gassman) arrives in a Fiat so humble that he won't admit it is his, even after hearing that it has been dented...
...into the Vatican vocal conservatory that separates the boys from the men, bribes the surgeon not to operate on him, but somehow manages to retain a passable falsetto. Later favored by the nobility, the false capon cuckolds his patrons. He reveals his secret to one elegant lady (Anouk Aimée) while he helps her undress. Another (Barbara Steele) learns the truth when the two snuggle into a barrel used as a duck blind. A third (Sandra Milo) gets the news under a cape while performing at a fashionable impromptu. Her husband applauds...
...between, "8 1/2" moves with Guido through a despair that remains unresolved until the final scene. Guido's health has collapsed--he has gone to a fashionable spa in an attempt to recover; his marriage has broken down--his wife (Anouk Aimee), aware of his infidelities with a dull, bovine mistress, is ready to ask for a separation; and his creativity is at an end--he cannot get started on the film he is directing. His friends are falling away, though a mob of admirers follows him almost everywhere, firing inane questions that melt into a babble of noise...