Word: anouk
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...movie weaves its little stories into this big scene. A designer (Anouk Aimee) fights a takeover by a Texan (Lyle Lovett). A photographer (Stephen Rea) toys with three magazine editors (Linda Hunt, Sally Kellerman, Tracey Ullman). Two reporters (Tim Robbins and Julia Roberts in a nice little sketch) cover the story from their hotel bedroom. Two handsome Italians (Sophia Loren, Marcello Mastroianni) replay an old love affair. And a FAD-TV reporter (Kim Basinger) chirpily reports every outrage on the runways and in the salons...
...Claude Lelouch synthesized every foreigner's view of French love with A Man and a Woman, the Paris-to-Deauville erotic express in which the plangent hearts of Jean-Louis Trintignant and Anouk Aimee beat to an inane, unforgettable score. The picture was a worldwide hit, won a couple of Oscars and provided upscale young couples with an excuse to drive fast and twirl rapturously on the beach. Now Lelouch has reunited his stars for A Man and a Woman: 20 Years Later. Aimee, whose features have calcified chicly, is a movie producer desperate to make a musical version...
...romance, A Man and a Woman. Well, the time has passed, and they are not mad at each other. Lelouch has just finished A Man and a Woman: 20 Years Later, which is scheduled for release this spring. "Give me some time, I'll call you in six months," Anouk Aimee told Jean-Louis Trintignant at the close of the first film. Somehow she didn't, and neither did he. But when they finally meet again, the old magic is there (not to mention the old music style, with Francis Lai again composing). Aimee's Anne has gone from being...
...concrete level, the plot introduces Mauro Ponticelli (Michael Piccoli), and his sister Marta (Anouk Aimee). The former is a magistrate, the latter a lunatic. At first the separation is quite clear. Save for the disturbances created by his sister. Ponticelli is almost fanatically calm, all that a middle-aged magistrate should be. Aimee's Marta, by contrast, seems in each well-groomed motion to bristle with exposed nerve-endings...
...time drags on, and Primo realizes that meeting the ransom demand will mean closing his factory, he begins to believe that everyone around him - his son's girlfriend (the darkly sensual Laura Morante), a radical worker-priest (Victor Cavallo), maybe even Primo's patrician wife (Anouk Aimee) - is involved in the abduction. Conspiracy or paranoia? Primo says: "I prefer not to know." And the film takes no sides, instead allowing both protagonist and moviegoer to entertain each terrible possibility...