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...Museums and the Museum of Fine Arts in Boston, celebrates the 150th year of the dagguerotype. The MFA is presenting works from the 1930s and 1940s, and the Fogg exhibit presents those photographs from 1940 to the present. Photographers on view at the Fogg through Christmas vacation include Ansel Adams, Diane Arbus, Duane Michals, Aaron Siskind Weegee and Minor White...

Author: NO WRITER ATTRIBUTED | Title: Arts on Campus | 10/20/1989 | See Source »

...sponsored jointly by the Harvard University Art Museums and the Museum of Fine Arts in Boston celebrates the 150th year of the dagguerotype. The MFA is presenting works from the 1930s and 1940s, and the Fogg exhibit presents those photographers on view at the Fogg through Christmas vacation include Ansel Adams, Diane Arbus, Duane Michals, Aaron Siskind Weegee and Minor White...

Author: NO WRITER ATTRIBUTED | Title: In the Arts... | 10/13/1989 | See Source »

...innocuous looking and provocative setting, the Los Angeles water intercept on Lee Vining Creek in the eastern Sierras. On a brilliant winter afternoon, knee-deep snow covers the intake pond behind a small concrete dam, and a Steller's jay swoops among the evergreens. Mount Dana, lacking only an Ansel Adams moon, is lit up crisply against a cloudless sky. And in the background (the sticking point), there is the sound of rushing water...

Author: /time Magazine | Title: Water Marketing A Deal That Might Save A Sierra | 4/3/1989 | See Source »

...thorough but not a definitive history -- one version of the story, splendidly but narrowly focused upon questions of style through the work of just 85 major figures. It would be possible to assemble another equally large exhibition from the prominent names left out -- Mathew Brady, Eadweard Muybridge, Ansel Adams and Richard Avedon, to name a few -- but the shortcomings of the show are paltry compared with its pleasures...

Author: /time Magazine | Title: Photography: Drawn by Nature's Pencil | 2/27/1989 | See Source »

...raises the ire of many environmentalists. The January issue of Mother Jones scolds Rockwell for making Adams into an "arms peddler." Carl Pope, political director of the Sierra Club, calls Rockwell's use of the Adams photographs the "ultimate in cynicism." But Rockwell paid a substantial fee to the Ansel Adams Publishing Rights Trust for permission to use the photos. Contends Trustee John Schaefer: "Adams was a patriot. He believed in a strong defense...

Author: /time Magazine | Title: Advertising: Ansel Adams, Arms Peddler? | 1/12/1987 | See Source »

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